Tommy's #1 SHANIA TWAIN SuperSite Message Board

Members Login
Username 
 
Password 
    Remember Me  
Post Info TOPIC: Shania - Lyme Disease?


Veteran Member

Status: Offline
Posts: 29
Date:
Shania - Lyme Disease?


Shania Twain says Lyme disease caused her to lose her voice

By Katie Scott | Global News | May 3, 2017

Canadian songstress Shania Twain recently revealed that the cause of her temporary vocal struggle was linked to Lyme disease, an infection caused by a bacteria spread through ticks.

Back in 2011, she opened up about her struggle with dysphonia, which is a medical condition that left her unable to sing.

She now says it was more than stress that led to that condition, and though she doesn’t go into much detail about it, she says that the condition was brought on by Lyme disease.

While speaking to the Los Angeles Times, the Party For Two singer explained that she went through extensive physical therapy to get her voice back before the start of her residency at Caesars Palace in Las Vegas in 2012.

She said that the voice-strengthening exercises and intense vocal warm-ups helped her learn more about her own vocal chords and herself.

“I learned a lot about myself, and my voice, both because I’d been having a lot of problems with my voice prior, and because this was a real plunge into the unknown,” Twain said.

Twain went on to dominate Las Vegas from 2012 to 2014, and then joined the Rock This Country Tour in 2015 and 2016.

The Any Man of Mine singer debuted her new single, Life’s About to Get Good, during her headlining set at the Stagecoach Festival this past weekend in California. Her new album is expected to be released in September.

Twain joins a long list of celebrities who have struggled with Lyme disease.

Canadian singer Avril Lavigne contracted Lyme disease from a tick bite in spring 2014, and was bedridden for five months.

“I felt like I couldn’t breathe, I couldn’t talk, and I couldn’t move,” the Canadian singer told People at the time. “I thought I was dying.”

Lavigne said she felt lethargic and lightheaded for months but didn’t know why. She finally got a diagnosis of Lyme disease.

“I had no idea a bug bite could do this,” said Lavigne.

In 2015, Lavigne revealed that she was about halfway through her treatment in an interview with ABC News.

“I’m doing a lot better. Seeing a lot of progress. I’m just really grateful to know that, like, I will make [a] 100 per cent recovery.” Doctors suggested everything from chronic fatigue syndrome to depression.

Yolanda Hadid, ex-wife of Canadian music producer David Foster, has publicly shared her battle with Lyme disease. The 53-year-old said it left her unable to “process information or any stimulation.”

Other celebrities who currently live with the affliction are Ashley Olsen, Kelly Osbourne, Bella Hadid and Daryl Hall.

Lyme disease is a bacteria that’s transmitted through the bites of infected deer ticks, which can be about the size of poppy seeds. Female ticks can grow up to 100 times their original size after feeding on blood, experts say.

Unlike mosquitoes that can transfer West Nile to humans with a single bite, the tick has to be attached to the body for at least 24 to 36 hours.

You can find more information on the multitude of Lyme disease symptoms on the Canadian Lyme Disease Foundation website.

http://globalnews.ca/news/3424165/shania-twain-says-lyme-disease-caused-her-to-lose-her-voice/



__________________


Guru

Status: Offline
Posts: 8879
Date:

Apparently Lyme disease caused her vocal problems. It was in last week's Los Angeles Times article.

'Life's About to Get Good' for Shania Twain with new album, Stagecoach appearance

By Randy Lewis | Los Angeles Times | April 25, 2017

650x366

The name of Vincent Van Gogh probably isn’t one that springs to mind for most people in connection with pop-country superstar Shania Twain.

But the Canadian singer and songwriter feels a special connection with the 19th century post-Impressionist painter in terms of how she’s gone about writing the songs for her first new album in more than a dozen years, one that she’ll preview this weekend during her headlining set Saturday at the 2017 edition of the Stagecoach Country Music Festival in Indio.

Relaxing on the sofa in her Beverly Hills hotel room last week during a bit of downtime between rehearsals for that performance, which serves a key role of the grand rollout of her return to the pop spotlight this year, Twain made a comparison between the process her songs went through and Van Gogh’s methodology in his famous “Wheat Fields” series of dozens of paintings of haystacks.

“Look at how many of those there are,” she said with a combination of excitement and curiosity. “There are all these different lights—some are dark, some are bright, some show different times of day, some are foggy. Why would somebody paint the same painting over and over and over again?

“He had to go through that same experience over and over and over again,” she said, answering her own question. “Some paintings are just not done until they’re done. They’ve got to paint that subject out of their system. And that’s what I had to do. These songs just evolved. They started one place and ended in another. “

Her new album won’t surface until the fall, and at this point still doesn’t even have a title. It’s being scheduled for release during the all-important fourth quarter period during which the music industry sees its biggest sales, and consequently holds back its biggest guns for that time.

Twain’s album will test to what extent she retains the commercial power she held as the biggest female country star of the 1990s and early 2000s, and who was rivaled for a time perhaps only by Garth Brooks as the most potent pop star in the world.

The Recording Industry Assn. of America has certified her album sales at 48 million in the U.S. alone, and her biggest seller, 1997’s “Come On Over,” has logged hearly half that figure on its own: 20 million copies, placing it among the Top 10 biggest selling albums of all time.

Her show at Stagecoach is a coup for festival organizers, who say they’ve had their sights on her since the event began a decade ago.

“The fact that she was offered it [a headlining slot] says a lot in itself,” said Gary Bongiovanni, editor of Pollstar, the concert-industry-tracking publication. “It’s a good move for Stagecoach--It adds a little freshness, and that’s what they need for shows like that. She’s not been around a lot, so there are a lot of people who haven’t seen her for a long time.

That’s because Twain had stepped out of the limelight when Stagecoach was born in 2007. Having survived the tragedy of her parents’ death in an automobile accident when she was a young adult, Twain, who was born Eilleen Regina Edwards on Aug. 28, 1965 in Windsor, Ontario, suffered another round of personal and professional setbacks in the new millennium that once again left her reeling.

Her high-profile marriage to longtime producer and frequent songwriting partner Robert John “Mutt” Lange disintegrated after he allegedly had an affair with her best friend, and they divorced in 2010 after 17 years together. She told Billboard at the time she didn’t know whether she’d ever be able to perform again, so closely were she and Lange involved with her music career.

She also developed problems with her voice, a condition known as dysphonia that can be brought on by stress, but which she attributed to contracting Lyme disease.

Whatever the cause, it left her for a time virtually unable to sing. She went through extensive physical therapy for her voice, and now continues an intense regimen of warmup and other voice-strengthening exercises that allowed her to accept an offer from Caesar’s Palace to launch a residency at the Colosseum that ran from 2012 to 2014.

A singer’s typical problem is nodules on the vocal cords from overuse or poor technique,” she said. “That was not my problem. My problem isn’t unique, or rare, but the exercises are very different than for nodules, and I can’t get an operation for mine. The only way to fix it is to work hard.

“With nodules you can’t speak; you’ve got to rest, rest, rest,” she said. “With mine, you’ve got to work, work, work.” Then she laughed again. “I know, I know.”

From her experience doing the “Still the One” residency in Las Vegas, she said, “I learned a lot about myself, and my voice,” from the “Still the One” residency in Las Vegas, she said, “both because I’d been having a lot of problems with my voice prior and because this was a real plunge into the unknown.”

The big question?

“Was I going to be able to hold up?” she said. “The environment is very dry there, and it’s very, very hard on a voice. A lot of singers have problems there. And there’s the discipline required for doing a show like that ever night.

“This is why I ended up going on a tour [the “Rock This Country” tour in 2015-2016] after that, because I thought, ‘Wow, I can do this!’ If I can do it here, I can do it anywhere,” she said, bursting into laughter at her spontaneous allusion to the Frank Sinatra late-career anthem “New York, New York.” “It gave me courage to do more shows and get out on the road again. It was a good test for me.”

In fact, that tour brought her back into the Top 10 of Pollstar’s ranking of the highest-grossing North American concert tours of the year. In 2015, she grossed $69 million from 72 shows in 56 cities, including dates at Staples Center in L.A. and the Honda Center in Anaheim.

“Her business was generally very good,” Bongiovanni said, “although not all her shows were sellouts….At one time she was one of the top acts in country music, and then she went away for a while. Now a whole other groups of acts that have come along.”

Having passed the test of whether she could still endure the rigors of touring, and having stabilized her personal life and remarrying in 2011—to Frederic Thiebaud, the ex-husband of her former best friend---Twain gave herself another challenge: to write all the songs for her next album on her own. After the soul-searching she did while writing her 2012 autobiography, “From This Moment On,” she had no shortage of raw material to draw from.

“Right from the beginning, I was not going to collaborate with anybody for this one,” she said. “This needed to be an independent experience.

“I hadn’t written by myself for a long time,” she said. “I was married for 14 years to my collaborator, and I really just needed to do that again. I needed to go back and do that by myself and have an uninterrupted flow of creativity that was insular, to see what I was made of, to see what I have there.”

What she found translates as painfully vulnerable in places, commandingly resilient in others, happily grateful elsewhere. (“You let me go/You had to have her/You told me so/I died faster,” she sings in “I’m Alright.”)

The solo approach was limited, however, to her songwriting. In place of Lange’s production, which had also played a key role in her commercial success by bringing a sonic edge from his hard rock background into the world of country music, she has teamed with a variety of different co-producers for most of the new tracks.

Yet the new songs largely extend, rather than dramatically break from, the sound and style that kept her atop the charts for an extended period with a string of No. 1 country hits including “Any Man of Mine,” “You Win My Love,” “Honey, I’m Home” and “You’re Still the One.”

She hadn’t settled firmly on which new songs she’ll unveil this weekend at Stagecoach, but said the prime contenders are “Swingin’” and “Life’s About to Get Good,” both of which are full of the lyrical and melodic hooks she’s specialized in all along.

She said that “Life’s About To Get Good” was a textbook example of the reward she gets out of writing songs.

“I was thinking ‘OK, what is life about?’ I was being kind of serious; I was reflecting: Life’s about joy, life’s about pain, life’s about this, life’s about that,” she said. “Then all of a sudden: ‘Life’s about to get good.’ And I thought, ‘What a great play on words! How fun is that? Who uses ‘about’ as a play on words? I’m sure no one’s ever written that before and I was all excited.

“I was getting satisfaction out of [considering] aspects of life and what it’s all about, then I have this really cool artistic moment--a writer’s thing, like ‘Oh, yeah, that’s really good, that’s a great twist’,” she said. “When those things come together, it’s all very satisfying. That is where the craft of writing comes in, the more soulful purpose of the meaning of the song comes out.”

http://www.latimes.com/entertainment/music/la-et-ms-shania-twain-stagecoach-new-album-20170425-story.html



__________________

Tommy's #1 SHANIA TWAIN SuperSite
shaniasupersite.com

Page 1 of 1  sorted by
 
Quick Reply

Please log in to post quick replies.

Tweet this page Post to Digg Post to Del.icio.us


Create your own FREE Forum
Report Abuse
Powered by ActiveBoard