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Post Info TOPIC: 2018 "NOW" tour


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2018 "NOW" tour


Sad to read such reviews which almost suggest: stop evolving, just sing your old hits.

What fourth song did the girl name after Swingin'? It seems like she named 4 songs, my ears have only caught 3. confuse



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Tanya wrote:

Sad to read such reviews whick almost suggest: stop evolving, just sing your old hits.

What fourth song did the girl name after Swingin'? It seems like she named 4 songs, my ears have only caught 3. confuse


"Party For Two". 



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Shania Twain @ShaniaTwain

shania_nowtour_stpaul051518_1

Thanks for a fun night St. Paul 😘 Sioux Falls tonight! #ShaniaNOW

9:16 AM ET - 16 May 18

http://twitter.com/ShaniaTwain



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‘A stallion is a horse’ and other things we learned at Shania Twain’s Xcel concert

By Keith Harris | City Pages | May 16, 2018  

Shania Twain wants you to know that everything is going to be OK.

Now clearly, everything is not going to be OK. In fact, nothing is going to be OK. If we’re even going to use the word “OK” again we need to redefine it to mean something more like “not OK at all.” But for two booming hours at the Xcel last night, a good-heartedly out-of-touch, glamorously tasteless, pathologically optimistic rich lady with a killer pop-country songbook convinced us that there was no crisis through which we could not blithely shimmy, shake, kick, turn, stomp, stomp through, consequence-free, even as she grappled (well, tussled gingerly) with demons of her own.

The old Nashville standard “We Will Rock You” boomed through the room as the lights came up on the mid-arena b-stage, where Shania’s drummer, her blonde hair flying, beat out a rhythm I can’t say for certain wasn’t inspired by Faith No More’s “Epic.” Shania herself entered from the stands, striding down the stairs of the 100 level in silver gown and matching cowboy hat, high-fiving fans and making her way slowly through the crowd and toward the stage. Everything at a Shania show, you see, happens on Shania time. (No, I’m not gonna call her “Twain”—what is this, the New Yorker? Here is a superstar who demands we meet her as pretend equals on a ground of false intimacy, and I’ll sure as hell oblige.)

Shania eased the show ill-advisedly into motion with her recent, adequate single “Life’s About to Get Good,” shuffling as nimbly as her heels and floor length hemline permitted, then continued to hold back with “Come On Over,” the most mildly upbeat of her hits. For the early part of the show, performances of weak new material seemed perfectly timed to deflate the room. Shania would dole out a pair of the oldies the crowd craved, then foist something new on us that wasn’t just uninspired, but fundamentally clashed with our conception of Shania-ness—and, more importantly, hers.

One reason Shania upset country sticklers in the ‘90s isn’t just that her sound was pop, fusing ’80s rock excess with synthetic simulations of country signifiers. It’s that her outlook was pop too. Shania wasn’t one for barroom weepers or cheatin’ songs. Her songs recounted a series of modest setbacks, from bad hair days to PMS, but nothing that a connubial foot rub and a flurry of exclamation points and a gated snare drum couldn’t fix. At the height of her powers, Shania Twain was a Redbook article about a Def Leppard song (or vice versa) come to life.

Shania’s latest album, Now, is not good. It’s also her most personal album. In fact, it’s not good because it’s her most personal album. No pop star has ever been so sheepish about admitting to heartbreak. She apologized at length before the Now track, “Poor Me,” which she called a “pity party.” “I kinda think that it’s OK to be down every once in a while,” she insisted, as though this was a controversial statement that would be met with heated protests from the crowd rather than something every sane human adult believes.

But in Shanialand, sadness is a gruesome aberration to be quashed. Other new songs included “I’m Alright,” an anthem of denial disguised as a journey of healing and acceptance, and “Let’s Kiss and Make Up,” which she said was inspired by an argument with her husband. She was pissed and ready to vent, she said, but she wrote a song of reconciliation instead. After all, why be angry when you can cram those feelings deep inside where they couldn’t possibly cause you any long-term psychological harm?

But to paraphrase myself, from long ago, complaining that Shania Twain lacks depth is saying a roller coaster doesn’t have much of a plot. Her dotty stage patter felt charmingly unscripted. She explained that a stallion was a horse. She told fans to “get out their selfies.” She said “sometimes you just gotta look on the bright side” and explained that life was about “taking the good with the bad” and saw “a light at the end of the tunnel” as though she sensed something was amiss with the world but she couldn't ascertain exactly what.

And throughout, she was consistently true to her own garish aesthetic. I mean, I look like I got dressed in the dark most days and even I feel confident critiquing Shania’s wardrobe. At times she resembled a first-grader who’d been allowed to pick out her own outfit for school. One of her looks could be best described as “cowgirl ballerina Fonzie,” but she could also impersonate an eccentric gender fluid doweress known for solving crimes in Victorian London when the mood struck. A snug bodysuit seemed to magically change color as she moved.

More than once I glanced away from her for mere seconds and she’d somehow changed outfits before I looked back. But she outdid herself during “That Don’t Impress Me Much,” not only because some designer had created a unique kind of garment forthat was simultaneously both a dress and a housecoat and also neither a dress nor a housecoat, but because its pattern clashed gloriously with the leopard print designs glowing on the cubes behind her.

For “Up!” her dancers’ backs sprouted tree-like apparatuses from which silver Warholian balloons bloomed. During “Whose Bed Have Your Boots Been Under,” maybe the perkiest song ever recorded about dating a serially unfaithful jackass, her male dancers were paired off with humanoid springs in cowboy hats. And if every country concert has its obligatory patriotic moment, only Shania Twain would sing “Soldier” as she floated inappropriately above the crowd on a perch shaped like a guitar case. Sontag’s “Notes on Camp” is basically a Shania Twain concert review. (Especially the part where she says “pure Camp is always naive.”)

As is customary in these parts, Shania mourned Prince. She told us, “We were actually planning to work together.” [citation needed] She introduced “You’re Still the One” by mention that Prince recorded it, and indeed he did, with Marva King, in the late ‘90s, when he was in his Lilith Fair phase and covering Joan Osborne and Sheryl Crow.

So much happened. Shania brought three audience members onstage, two women and a man. They said they were from Bismark and we booed them. During a flirty bit where the guy was supposed to lift Shania onto a piano, one of the women upstaged her by shouting a Cardi B lyric. Shania made us watch a montage of her old videos while she sat grooving in silhouette off to the side nursing a flute of wine. Every dancer was given a drum to slam during the punctuated chorus of “If You’re Not In It For Love (I’m Outta Here)” and a rainforest’s worth of streamers were launched into the crowd.

The encore began, predictably, with “Man! I Feel Like a Woman!,” an anthem so femininity-obsessed it was just begging to be queered upon arrival. And she closed with “Rock This Country!” which was the closest thing she’d made to a political statement until she cluelessly praised Trump in a recent interview. Personally, I’d sooner ask Shania what the lyric “We’re gonna rock this country right out of this world” could possibly mean than inquire how she’d have voted. Then again, I don’t think rich people should be allowed to vote in the first place.

After this, there was confetti. Then more streamers. All of our bad feelings had been rocked right out of this world. Yes, this morning they all came back. But I kinda think that it’s OK not to be down every once in a while too.

Setlist
Life's About To Get Good
Come on Over
Up!
Poor Me
Don't Be Stupid (You Know I Love You)
That Don't Impress Me Much
Let’s Kiss and Make Up
Any Man of Mine
Whose Bed Have Your Boots Been Under?
Honey, I'm Home
I'm Alright
Soldier
You're Still The One
More Fun
From This Moment On
I'm Gonna Getcha Good!
Party for Two
Swingin' With My Eyes Closed
(If You're Not in It for Love) I'm Outta Here!

Encore
Man! I Feel Like a Woman!
Rock This Country!

http://www.citypages.com/music/a-stallion-is-a-horse-and-other-things-we-learned-at-shania-twains-xcel-concert/482815081



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Shania Twain sets the standard with sizzling performance

By Alexa Giebink | Argus Leader | May 17, 2018

Step aside, Garth Brooks. Shania Twain is in the house.

The down-home diva blew the roof off the Denny Sanford Premier Center Wednesday night. Country fans flooded the event center, eager to see the music icon on her "Now" tour. 

"I love Sioux Falls. It's gorgeous," said Twain as she sashayed across the stage during her set. "It's a really pretty town. We're happy to be back."

To warm up the crowd, Twain selected the Swiss heartthrob Bastian Baker.  

A sultry voice with the looks to match, Baker had many women in the crowd screaming for more. The opener's set of upbeat tunes set the stage for two hours of non-stop Shania.

Amid a feeling of tense excitement, the superstar emerged from the rear of the arena and made her way through the crowd. 

With her charming, yet polished, dialogue, Twain delivered a flashy and well-choreographed spectacle. 

Throughout the evening, the country star belted out fan favorites such as the 1997 hits "That Don't Impress Me Much" and "You're Still The One." 

Between the classics, Twain performed songs from her new album "Now." The moody ballads "Poor Me" and "I'm Alright" showed the artist's more serious side.

Despite the brief moments of self-reflection, the singer performed a show full of fun costumes and flashing lights. By the end, there were too many wardrobe changes to count, with each outfit more fabulous than the last.

Although some of the props bordered on kitschy, like the metal figures with cowboy hats, there was always something visually interesting happening.

As Twain belted out her iconic girl power anthems, a troupe of hunky dancers heated up the stage. It's was hard to argue when the superstar declared the sizzling performers "the sexiest guys on the planet."

Shania Twain's performance was bursting with theatrics from a laser show to full body light suits. At one point, the country star took the air, flying above the crowd in a swing made out of a guitar case.

A few lucky fans even got an invitation to join the singer on stage for a selfie, including an adorable seven-year-old boy in a rhinestone cowboy hat. 

After being showered with silver streamers, the crowd broke into applause, demanding an encore. To close, Twain brought down the house with "Man! I Feel Like A Woman" and "Rock This Country!"

Set list

Life's About To Get Good

Come on Over

Up!

Poor Me

Don't Be Stupid (You Know I Love You)

That Don't Impress Me Much

Let’s Kiss and Make Up

Any Man of Mine

Whose Bed Have Your Boots Been Under?

Honey, I'm Home

I'm Alright

Soldier

You're Still The One

More Fun

From This Moment On

I'm Gonna Getcha Good!

Party for Two

Swingin' With My Eyes Closed

(If You're Not in It for Love) I'm Outta Here!

Man! I Feel Like a Woman!

Rock This Country!

https://www.argusleader.com/story/entertainment/2018/05/17/review-shania-twain-concert-denny-sanford-premier-center-sioux-falls-south-dakota/613138002/



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Here is another St. Paul concert review.

Shania Twain Throws A Party For 14,000+ In St. Paul, Minnesota

Shania Twain sure knows how to throw a party and she put on a great one last night at the Xcel Energy Center.

By Corbyn Jenkins | The Odyssey | May 16, 2018

Shania Twain sure knows how to throw a party and last night she put on a great one at the Xcel Energy Center in St. Paul, Minnesota.

Opening up the night was Swiss singer, songwriter, and performer, Bastian Baker. He got the crowd moving and grooving and really had a great stage presence. From the moment he took the stage, everybody seemed to be drawn in, enjoying the music and it continued throughout his entire set. He did a great job getting the crowd pumped up for Shania Twain.

After Bastian Baker's set, Shania Twain entered through the back of the arena and made her way through the nearly sold-out crowd. As she made way to the main stage she screamed, "Are you ready St. Paul?" And from that moment on, after hearing the crowd's positive response, it was obvious that it was about to be one heck of a night.

Twain started off the night with, "Life's About To Get Good" which is a track off her new album, Now. Following was "Come on Over" and "Up!" which got the crowd engaged from the start with their hands in the air, swaying and jumping along to the music.

After a few more tracks, and dropping down below the stage, Twain emerged back on stage in a new outfit, which was a reoccurrence throughout the entire show. A few costume highlights were her flowy sparkly black dress, some fierce red boots, a black cowgirl hat, and a blue body suit. It was entertaining to watch the fun costume changes take place. I think I counted a total of eight costume changes, and I might have missed a few, but overall she looked absolutely amazing throughout the entire show. Also, during each costume change, Twain didn't leave the crowd hanging as she got ready. There were drum solos, music videos to watch, and even a kiss cam. To say the show was entertaining would be an understatement.

A highlight of the night came when Twain played, "Whose Bed Have Your Boots Been Under?" The crowd went wild for the song and the dancers on stage really shined during this performance, as they did for the majority of the show. It was hard to keep your eyes off of them.

"You guys are awesome. You're amazing. I'm gonna do a song that's been a big inspiration for me. It's a new song and I wrote it to remind myself that there's always a light at the end of the tunnel. So, I want to share it with you and I hope it inspires you as well," said Twain before performing a song off her new record titled, "I'm Alright."

Another highlight came shortly after as Twain shared with the crowd that she visited Paisley Park yesterday. She mentioned that it felt interesting and surreal and that she knew Prince very well and that they were actually supposed to work together on her latest released album, Now. She also shared that it was just beautiful to visit it again. She then went on to say, "I know he (Prince) liked this next song and he actually did a version of it for himself and I was really touched by that. So, this song has been with me for over 20 years now and I know you guys know it so please sing along." She then began to play her hit track, "You're Still The One" while floating through the arena on a guitar case swing.

A few other highlights of the night include when Twain brought a few fans on stage and they took some selfies, and when she brought back out the opener, Bastian Baker for "Party For Two" and "Swingin' With My Eyes Closed."

As the night began to come to an end Twain played, "I'm Outta Here!" which had a positive reaction from the crowd and ended with streamers blasting from the stage.

Finally, as you would guess, the encore was a hit as Twain yelled, "Let's go girls!" and dove into her number one hit, "Man! I Feel Like A Woman!" The crowd went wild and screamed the lyrics right back to her. Following the big hit was "Rock This Country!" which got the crowd up and on their feet dancing and singing along for one final song and another burst of confetti and streamers at the end.

Overall, Shania Twain knows how to put on one amazing show. From the moment she took the stage to the moment she waved goodbye, she never stopped smiling from ear to ear making it evident that she just loves performing and sharing her music with the world. I think it is safe to say that the St. Paul crowd left the Xcel Energy Center feeling more than complete tonight.

If you are interested in seeing Shania Twain play live you can check out the tour dates and get tickets here!

Shania Twain Setlist:

Life's About To Get Good // Come On Over // Up! // Poor Me // Don't Be Stupid (You Know I Love You) // That Don't Impress Me Much // Let's Kiss and Make Up // Any Man Of Mine // Whose Bed Have Your Boots Been Under? // Honey, I'm Home // I'm Alright // Soldier // You're Still The One // More Fun // From This Moment On // I'm Gonna Getcha Good // Party For Two (Feat. Bastian Baker) // Swingin' With My Eyes Closed (Feat. Bastian Baker) // (If You're Not In It For Love) I'm Outta Here! // Man! I Feel Like A Woman! // Rock This Country!

https://www.theodysseyonline.com/shania-twain



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Shania Twain @ShaniaTwain

Can we give it up for my amazing band? #ShaniaNOW

Video & pictures - https://twitter.com/ShaniaTwain/status/997141100312834048

11:45 AM ET - 17 May 18

http://twitter.com/ShaniaTwain

---------------------------------

Shania Twain @ShaniaTwain

I LOVE this tour 😘

11:50 AM ET - 17 May 18

http://twitter.com/ShaniaTwain



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Shania Twain @ShaniaTwain

It's a pleasure to share the stage with these extremely talented dancers (and singers!) ❤️ @HayleyDorling, Monica Ramirez, Asiel Hardison, @res3an, @CrisCangero and Vincent Noise

Pictures - https://twitter.com/ShaniaTwain/status/997147696246001664

12:11 PM ET - 17 May 18

http://twitter.com/ShaniaTwain



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Bastian Baker will continue to open for Shania as well. So she will have two opening acts in the UK and Ireland.

The Shires Announced as UK and Ireland Support Act for Shania Twain Tour

By Laura Klonowski | CelebMix | May 18, 2018

British country music duo The Shires have today been announced as the support act for the UK and Ireland leg of Canadian superstar Shania Twain’s upcoming NOW Tour. Along with The Shires, Twain will be supported by Switzerland born, New York based artist Bastian Baker.

Shania’s world tour is currently in full swing with a number of sold out dates in the US and Canada already complete as she makes her way around the globe with her stellar set-list of old and new hits.

The new tour is in support of her first album in fifteen years; ‘Now‘ which dropped last September going straight in at number 1 on both the UK and US charts. And now with the announcement that record breaking British duo The Shires will be supporting her for the UK and Ireland leg this September and October, fans over here are going to be in for a real special night.

The Brit duo consisting of Ben Earle and Crissie Rhodes are currently touring the UK in support of their hit third studio album ‘Accidentally On Purpose‘ which was released last month and peaked at number 3, making it their third consecutive top-ten release.

The news of their involvement with Twain’s UK and Ireland tour was announced by the pair this morning via social media:

So happy to announce we will be joining @ShaniaTwain on tour later this year!!! We are huge fans and are so excited for this!

Tickets are on sale now!

GLASGOW / MANCHESTER / BIRMINGHAM / LONDON: http://lnk.to/TSST18TW

DUBLIN & BELFAST: http://lnk.to/TSSTie18TW

https://celebmix.com/the-shires-announced-as-uk-ireland-support-act-for-shania-twain-tour/



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Shania Twain @ShaniaTwain

Opening night of the #ShaniaNOW Tour was amazing, thank you for your love and energy Tacoma!

Video - https://twitter.com/ShaniaTwain/status/997507104620466177

12:00 PM ET - 18 May 18

http://twitter.com/ShaniaTwain



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Review: Shania Twain's Omaha show impresses — much

By Kevin Coffey | Omaha World-Herald | May 19, 2018

Shania Twain’s still got it.

For two hours Friday night, the queen of country was a commanding presence as she sang a combo of her greatest hits and latest efforts.

Twain’s mix of good-time, foot-stomping country anthems such as “Any Man of Mine” were a good mix with the dance-pop sounds of “Let’s Kiss And Make Up” and “Swingin’ With My Eyes Closed.”

A sold-out CenturyLink Center — fans hoisting signs, rocking new Twain T-shirts and singing along to songs new and old — was delighted with the show no matter what she did.

And she sounded great.

Twain sounded so good that sometimes I looked closely to see if she was actually singing or if her vocals were a recording.

Nope. It was the real deal. She simply sounds that good.

If I didn’t notice her taking breaths and making very subtle mistakes, I’d have thought twice. Her vocals were nearly flawless from start to finish, which is all the more impressive considering that her debut album was released 25 years ago.

Twain was on fire from the moment she stepped onstage in a gorgeous silver sequined dress and began belting out “Life’s About to Get Good.”

Like she has her whole career, Twain walked the line between pop and country, sometimes stepping to one side or the other for a few songs.

And her production toed the same line, mixing moments with a live band and others featuring canned music, as well as combining intimate country moments with over-the-top pop spectacle.

Five massive, moving cubes acted as backdrops, video screens and secondary stages as they moved around the enormous stage, and Twain was flanked by a crew of occasionally cowboy-hatted dancers and Daisy Dukes-costumed backing singers.

It’s the kind of stuff you’d normally see from a pop star, but rather than distract with meaningless pomp, it enhanced Twain’s performance.

Every moment was a spectacle you could sing along to.

And sing they did.

“That Don’t Impress Me Much,” “Whose Bed Have Your Boots Been Under?,” “Man! I Feel Like a Woman” and Twain’s other massive hits were the night’s most entertaining moments, but even new tracks such as “I’m Alright” and “More Fun” were a good time.

But it was the ballad “You’re Still the One” that featured Twain’s best vocal performance. She was able to fill the arena with her voice with seemingly little effort.

The audience loved it, but Twain herself may have been having more fun than anyone in the arena. She laughed with her dancers, snapped selfies with a pair of fans she welcomed onstage and continually thanked the audience for supporting her career for so many years.

“I just want to take a second to say how privileged and thankful I am to be in this beautiful city,” she said. “Omaha is stunning.”

http://www.omaha.com/go/music/review-shania-twain-s-omaha-show-impresses-much/article_ebfa487a-42c6-5c2a-b406-7e256be2b04c.html



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Shania Twain @ShaniaTwain

Chicagoooo! From 2003 to 2018 - you ready? 😘 #ShaniaNOW

Video clip from "Up! Live in Chicago" (July 27, 2003 - Grant Park) - https://twitter.com/ShaniaTwain/status/997850615068819456

10:45 AM ET - 19 May 18

http://twitter.com/ShaniaTwain



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The first leg of the tour ends tonight in Chicago. Shania doesn't hit the stage again until June 1 in Ft. Lauderdale, Florida. (Good! I need a break too. biggrin) I'm sure she'll fly home to The Bahamas for a couple weeks to relax.



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Shania Twain @shaniatwain

Thank you Chicago for an awesome show! 😘

2 videos from Chicago - https://www.instagram.com/p/BjAh76uHHvH/

***Place cursor on right side of first video and click on arrow for next video.

1:51 PM ET - 20 May 18

http://instagram.com/shaniatwain



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Shania Twain dazzles at United Center despite shadow cast by Trump comments

By Jessi Roti | Chicago Tribune | May 20, 2018

Shania Twain, with a nearly two-hour, 21-song set of greatest hits and pure country-pop pageantry, showed that she knows how to put on a show.

Those with an eye on the news might also wonder about her agility in dancing around the elephant in the room — her recent interview comments about President Donald Trump.

Currently in the second week of her “Shania Now” tour, she pulled out all the stops — from eight costume changes and vibrant set design to mid-air suspension and interpretative dancers. Opening the show with “Life’s About to Get Good” from her 2017 album “Now” — her first studio release in 15 years — Twain appeared in the crowd, donning a rhinestone cowboy hat, greeting fans along the way as she was ushered toward the stage.

A dizzying display of pop art-inspired and honky-tonk imagery danced across projection screens that doubled as stage risers as she and her backup singers and dance troupe worked double-time to keep the energy from dropping too much for too long.

It was evident the singer wanted to bring the party, often laughing into the microphone, striking power pose after power pose and tousling her hair while talking about how good it felt to be back in Chicago.

Whatever it was — the laughter or the excitement with which she attacked her set — had fans out of their seats early. “Come on Over,” from 1997’s two-time diamond-certified album of the same name, maintained its laid-back, bayou charm and was quickly followed by other hit singles, “Up!” “Don’t Be Stupid (You Know I Love You)” and “That Don’t Impress Me Much.”

Twain, who has been open about her struggle with regaining her vocal strength after a battle with Lyme disease resulting in dysphonia, sounded rested and clear. Extensive therapy has obviously helped her get comfortable in her lower register, her richer tone bringing a smoky feel to newer songs “More Fun” and “Let’s Kiss and Make Up.”

But the pace of the performance and song succession didn’t faze the seasoned music veteran as much as her onstage banter seemed to. Jovial, but clunky in delivery and overall awkwardness, she rambled. Her attempts at connecting deeper, whether discussing the inspiration behind lyrics to asking a fan and his partner to escort her back to the main stage after she flew over the crowd on a swing made from a guitar case during “You’re Still the One,” felt contrived — filler (maybe) for a different conversation she wanted to have, but didn’t know how it would be received.

Her audience seemed to have an unspoken agreement with their country queen — we won’t mention it, if you won’t. The “it” being the fallout from an April interview Twain did with The Guardian.

A discussion about her political stance sparked controversy when she said she would’ve voted for Donald Trump in the 2016 presidential election had she been able to.

“Even though he was offensive, he seemed honest,” she said. “Do you want straight or polite? Not that you shouldn’t be able to have both.”

After the interview was made public, Twain took to Twitter to apologize, adding that she was caught off guard and that, as a Canadian (who resides in Switzerland), she regretted answering without giving her response more context; that her “limited understanding” was that “the President talked to a portion of America like an accessible person they could relate to, as he was NOT a politician.”

On Saturday, it seemed odd that the singer who built a career on songs of empowerment and honesty had nothing to say about her comments.

Instead, she tiptoed around what could’ve dampened the evening’s mood, choosing to lean on the “unifying power of music.”

“This is where I feel the most at home,” she said, “with a mix of people that come together for one great time, for the love of music.”

It felt like a missed opportunity for Twain to drive home her apology.

It’s not that artists aren’t allowed to have political views, and it’s fair to say people haven't thought twice or as hard about artists’ affiliations before now.

Before sending off the night with “Rock this Country,” Twain barreled into the ultimate sing-along number “Man! I Feel Like a Woman!”; singing, “Ain’t gonna act politically correct, I only wanna have a good time.”

Ziiiing. A phrase so innocently used in a ’90s pop song about feeling like a carefree woman out on the town has, in this political climate, been co-opted as a catch-all for absolving responsibility.

And there it was again — a cloud hanging over what was a stellar display of showmanship and craft.

Shania Twain’s set list:

  1. Life’s About to Get Good
  2. Come On Over
  3. Up!
  4. Poor Me
  5. Don’t Be Stupid (You Know I Love You)
  6. That Don’t Impress Me Much
  7. Kiss and Make Up
  8. Any Man of Mine
  9. Who’s Bed Have Your Boots Been Under?
  10. Honey I’m Home
  11. I’m Alright
  12. Soldier
  13. You’re Still the One
  14. More Fun
  15. From This Moment On
  16. I’m Gonna Getcha Good!
  17. Party for Two (featuring Bastion Baker)
  18. Swinging with My Eyes Closed
  19. (If You’re Not in it For Love) I’m Outta Here!

Encore:

  1. Man! I Feel Like a Woman!
  2. Rock this Country

http://www.chicagotribune.com/entertainment/music/ct-ent-shania-twain-review-united-center-0521-story.html



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Shania Twain @ShaniaTwain

Chicago! You looked and sounded beautiful. #ShaniaNOW

Video clip from Chicago - https://twitter.com/ShaniaTwain/status/998628724902940673

2:16 PM ET - 21 May 18

http://twitter.com/ShaniaTwain



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Shania is Still the One

The Reader | May 21, 2018

Before Miranda Lambert, Carrie Underwood or even Taylor Swift (hard to imagine right?) there was the original queen of pop country herself, Shania Twain. Rolling into Omaha, the “From this Moment” singer performed to a packed house at the Centurylink Center Friday night. “You already sound outstanding,” Twain said with a roaring reaction from the crowd. Shania’s two-hour long show with a 21-song set of her greatest feel good country pop hits definitely show she still reigns supreme.

Her stage was a display of pop art-inspired and animal print imagery with 5 moving cubes, giving you a reminiscent feel of Shania from the 90’s. There were projection screens which doubled as stage risers as she and her backup singers and dancers kept the crowd on their feet for most if not all of the show.

It was evident the goal for the night was going to be laden with non-stop high energy country hits. “Come on Over” from her third album of blockbuster ballads and radio anthems, gave the crowd something to get up and dance and were followed up with her classic hits like , “Up!” and “That Don’t Impress Me Much” giving fans the Shania Twain fix they needed after her 15-year break from performing.

Mixed in among her setlist where songs from her newest album “Now” which she stated to the press before its release was a chance for her to do something new and pure. Well received, songs like "Swingin' With My Eyes Closed", "Life's About to Get Good" and "Let's Kiss and Make Up" were just some of the newer hits she performed throughout the night. It’s true some of her newer material might not have the same hooks as her older hits, but they stay true to her country pop roots.

Half way through the show, Shania flew over the crowd on a swing made from a guitar case during “You’re Still the One” striking a chord with everyone in the arena that no matter how long it’s been, Shania’s magic can’t be undone.

Shania teased the crowd later saying, “Omaha, you are beautiful. I was sitting with some of my crew eating at a restaurant and I just love your downtown. I would move here if I could just ride my horse through the streets! I am seriously thinking about it.”

Rounding out the show, Shania shimmered in a rhinestone encrusted jumpsuit and sang, “Whose Bed Have Your Boots Been Under?” and delivered her biggest hit with an encore performance of “Man! I Feel Like a Woman!” which had everyone in the arena on their feet singing and dancing. It’s evident that no amount of time away from the public or from music has dimmed Shania’s ability to put on a great show, exhibiting to her fan’s, Shania’s Still the One!

http://thereader.com/music/shania-is-still-the-one/



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Shania Twain @ShaniaTwain

shania_nowtour_vancouver050518_46

I want to see your selfies! Make sure you tag me ❤️

12:00 PM ET - 22 May 18

http://twitter.com/ShaniaTwain



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