Tonight, the American Idols will have a superstar backing them up, says Ryan -- it's Harry Connick Jr.
"This," Connick says, "is American Idol."
"Tonight, we have a classic theme paired with a classic act," Ryan says, as he introduces the initial video segment on Connick. And Connick talks about Frank Sinatra, whose hits the Idols will perform tonight: "Frank Sinatra was the pinnacle of interpreting songs."
In addition to his usual mentoring duties, Connick is writing the arrangements for the Idols tonight. "You think Shania Twain was up in here doing this?" he asks. He has also brought several members of his band to supplement the usual American Idol musicians, and he'll play piano behind them.
"As y'all know, these contestants are great, great people," Connick says. "They're great singers, and they're learning a lot."
Crystal's 'American Idol' struggles continue with another 'OK' performance
American Idol was looking to be a runaway win by Crystal Bowersox.
Back-to-back stumbles, though, have made the race much tighter.
A week ago Crystal struggled with a low-key song by country-pop artist Shania Twain. Last night it was Frank Sinatra that seemed to baffle the blues-folk singer.
Dressed in a black gown, and with guest mentor Harry Connick, Jr., on piano, Crystal was every bit the jazz club torch singer, something the 24-year-old single mom never really seemed comfortable with.
Her selection, "Summer Wind," was baffling as well. She suggested the song had a personal meaning, but it wasn't a good choice for her. A song with some lyrical and musical drama in it — "Send in the Clowns," perhaps — would've worked better.
The jazzy arrangements in "Summer Wind" overpowered her sleepy vocals at first, too, before she kicked it up a notch and the song found some life, as did her performance.
That was more or less what the judges told her as well.
Randy: "It was a great arrangement. It was one of your more subdued performances. I don't know if you did anything differently with it. It was OK, but It was a little sleepy for me."
Ellen: "At first it felt like you were swallowing every word and I was a little nervous. Then you started really singing and I wanted to see a little more of that when you were kind of starting to snap and I wanted you to loosen up a tiny bit more. But it's the only thing I missed. But man if I saw you for the first time I would never know you're that other girl too. You have so many different sides to you, you're so impressive."
Kara: "It's out of your element, but I kind of liked it. I did. I liked your phrasing and that's a really important thing this week. Frank Sinatra had impeccable phrasing, swing rhythm and you showed you could hold your own in that department so that's why I kind of liked it."
Simon: "I loved the song. I don't know if I would've chosen it for you though because it felt a little bit indulgent. The first half was too jazzy for me, too small nightclub and the second half obviously got a lot better. But I'm not going to lie and say this was one of your strongest performances. For you, Crystal, I think you've had two OK weeks. I think if you survive next week, it's like Randy said, now it's about being in it to win it. It's not about just singing for yourself anymore. It's about using this opportunity to nail it week after week after week. So I expect better."
Crystal: "I mean I always try to do what I think is best for the song and to me it's a sweet love story and you wouldn't sing it really big like that. If you were singing soflty to your lover, you'd sing it sweetly. And the song gets bigger as it goes on. I don't feel like I should sing really big notes because I'm on American Idol I think it should be about the music."
Simon: "I think it's about for whatever reason you chose it I'm just saying for you as an artist now you have one opportunity each week. I'm saying you have to use it in the best possible way and I'm giving you this advice to help you."
Crystal wasn't helped by the fact that she was followed by Michael "Big Mike" Lynche, with a strong performance of "The Way You Look Tonight." The judges loved it.
Then Lee DeWyze delivered his best performance of the season with "That's Life." The judges proclaimed it the best of the night. Ellen told him, "If this was the last night of performances, you just would have won the whole thing."
The good news for Crystal and her fans is that another off night by her only has her in the middle of the pack, with blues rocker Casey James at the bottom. Sinatra proved to be way too much for his limited vocal abilities — there's simply no power behind his voice.
But Lee and Big Mike really stepped it up this week. Crystal will be safe again — her fans proved their loyalty last week and they will again tonight. Plus, her performance isn't worth sending her home.
The other good news for Crystal is that last night was about as tough as it's going to get for her in terms of a theme night.
This time last season, the show selected the Rat Pack as its theme for the top 5. The next week was rock music, followed the rest of the way with judge and contestant selections. The year before that it was Neil Diamond in the top 5, before it got easier with Rock and Roll Hall of Fame for the top 4, and then the personal selections. Expect something similar this season.
Crystal should find herself in a more comfortable genre next week and to be back in the good graces of Simon, her one-time biggest fan on the show.
Meanwhile, Tuesday night proved the American Idol race has tightened up considerably.
Of course I mean anyone other than judge Simon Cowell, who appears so annoyed with being at the show in every episode it’s a shock that he actually shows up each week. If it weren’t for the truckload of money he collects with every episode, he’d probably just stay home.
I know I am tired of “American Idol,” yet, like millions of Americans, I still, for some unknown reason, tune in each week.
I can’t say why I still do. It’s not because I enjoy the show, because more often than not after watching it, I’m left quite annoyed — much like Cowell.
One of the things that annoys me is the fact that, despite how much respect I have for the ability of someone like Carrie Underwood, it’s irritating that these regular people can win a karaoke contest and suddenly become a superstar. At least one person each season is blasted into stardom for doing something that billions of people do in bars every year — sing poor renditions of other people’s songs.
Another thing that irritates me is the genre choices that the producers of the show pick each week. They’ve gotten pretty ridiculous. Rather than choosing an actual genre, like country or rock, they have been choosing a specific artist from whose catalog the contestants need to choose their song.
Beatles night was OK, because there are a billion Beatles songs, many of which have been covered by other artists. So there are some choices there.
But last week was Shania Twain week. If you are not familiar with Shania Twain, she is a country artist who has released a whopping four original albums containing songs that all sound identical. If you played each album all the way through without any space between the songs, even the most trained ear would not be able to tell where one song ended and another began.
Notice in the last paragraph I stated that Shania had released four original albums — she actually has a fifth “Greatest Hits” album. This is something I do not understand. There are great rock bands that have released dozens of albums before they come out with a greatest hits album. But when you have only released four albums, how in the world do you then create a greatest hits album?
Another thing I don’t understand is that, as Shania did, artists often put new songs on their greatest hits albums. Isn’t that being a little bit ****y? How do you know that song is going to be one of your greatest hits? If for some reason that song doesn’t become a hit, then the title of the album is false advertisement.
Earlier this season, Adam Lambert was a mentor for the contestants on “American Idol.” If you don’t recall who Adam Lambert is, it’s not surprising. He lost last year’s show. That’s right, “American Idol” is the one place that you can lose one year, and come back the following year to give the contestants advice.
Lambert’s best advice for contestants? “Don’t lose, like I did.”
And now there are rumors that Lambert may replace Simon Cowell, who is leaving the show after this season. Really? Will someone please explain to me what qualification Lambert has for judging up-and-coming artists? He’s only been a part of the music scene for what, six months? He has one album. How in the world is he qualified to be a judge?
Of course, this season “American Idol” replaced Paula Abdul, an actual singer, with Ellen Degeneres, whose primary qualification for being a judge is the fact that she dances poorly to music at the beginning of her own show.
Oh, and she’s a comedian, so certainly she’s qualified to give contestants advice. Has anyone ever heard the phrase, “jumped the shark?” Look it up. You’ll find the “American Idol” logo.
Anyone who argues that this is anything more than a karaoke contest obviously has no clue what is going on.
What was your mother's reaction when you dedicated the Shania Twain song to her?
Aaron Kelly: She cried, actually, because she's just very proud of me. She wasn't actually in the audience that night. She was there for rehearsal, but she had no idea I was going to dedicate it to her. I know she was very, very proud of her young man.
Harry Connick Jr.: I don't know if I'd be a good 'American Idol' judge
By Christopher Rocchio, 05/06/2010
Harry Connick Jr. has downplayed recent talked that he'd be a good choice to replace departing American Idol judge Simon Cowell on the show's judging panel next year.
"I don't know how good of a judge I'd be. Although I am the only person that actually does what the contestants do as a performer, I'm not in that world," Connick said during a Thursday appearance on Idol host Ryan Seacrest's KISS-FM radio show.
"I can look at people objectively and say what I think about their performing skills or their singing skills -- that I know. But the pop world isn't my world, and this is a pop show."
Cowell's potential replacement has been a hot topic of conversation ever since he inked a January deal to leave American Idol this May and launch an American edition of his British The X Factor reality competition series on Fox in Fall 2011.
Connick said it was simply a "great, great honor" to serve as this past week's musical mentor and added he gained a new respect for the show's contestants.
"One reason I would have never made it on this show, I just was too c-o-c-k-y when I was that age," he told Seacrest. "I thought to be able to stand on that stage and basically face the whole country judging you -- I couldn't have done that. There's no way."
In addition, Connick -- who was also responsible for composing the arrangements of the songs the finalists sang and accompanied them on-stage with his big-band orchestra as they performed -- apologized to Shania Twain for comments he was shown making during a video package that aired at the beginning of Tuesday night's performance show.
"American Idol is keeping me pretty busy right now to be honest with you. I mean I should be out laying by the pool -- you think Shania Twain was up in here doing this?" he joked, referencing last week's Idol mentor.
Connick said American Idol producers "cut out" the actual joke he was trying to make.
"I tried to call Shania Twain because I said something that came across very insulting to her... What they cut out was, 'She's an A-list celebrity, she's probably at some huge party. They don't think of me like that so they lock me in the hotel room.' That was the joke. But it came across like, 'Shania's not up here doing all the work.' I'm like, 'Oh my god! They didn't put the funny part in!'" he told Seacrest.
"I felt so bad. I've got an email off to her as soon as I finish with you because if she saw it, she must think, 'What a loser? Why would he say that?'"