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New Radio/Press Interviews


US99.5 Chicago

Listen: Shania Twain talks Vegas and Sending Kids Off to School

August 16, 2013 7:44 AM

What a cool surprise! Shania Twain called us this morning and talked about being a regular mom dropping her son Asia (Eja) off at school and how life in Vegas is treating her! LISTEN HERE!

Click Link Below To Listen to the 4-minute interview!

http://us995.cbslocal.com/2013/08/16/listen-shania-twain-talks-vegas-and-sending-kids-off-to-school/



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I love how they ask NO questions about new music. It must have been an agreement before she would talk to them.

So odd.



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Another radio interview and no question on a new album as well...

New Country 97.3 San Diego

Shania Twain about Vegas, her favorite fruit, and the side pony tail

http://www.kson.com/morning/interview.aspx



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Here's another one...

98.1 CHFI Toronto

Shania Twain called Erin & Cory Kimm from Switzerland! Listen to the interview now. 

http://www.chfi.com/2013/08/16/shania-twain-3/  

On twitter she is thanking about 11 radio stations one by one for chatting with her today . We will probably have a lot more interviews in the next few hours / days.



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A print interview will probably be released too.

Shania Twain @ShaniaTwain

th_shania-radiopressinterviews081613-1.jpg

Having awesome chats about my upcoming #ShaniaInVegas shows with radio and press today. A great Friday!

12:06 PM ET - 16 Aug 13

http:/twitter.com/ShaniaTwain



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KNIX 102.5 Phoenix

We were excited to get a call this morning from the one and only Shania Twain who happened to be vacationing in Switzerland!  She was fired up about new dates for her Vegas show at Ceasars Palace in Las Vegas!

http://www.knixcountry.com/pages/ben-matt-blog.html?feed=462656&article=11579038



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Here is an interview where Shania talks about "new music." As I suspected, her main concern is finding the right producer so she'll have the sound she wants.

Shania Twain Busy Writing New Music as She Plots October Return to Caesars Palace

ABC News Radio | August 19, 2013

Shania Twain could have some new music to perform in her Shania: Still the One show at Caesars Palace soon. She’s spent her summer at home in Switzerland writing songs for a possible new album. Now she just needs to find the right producer to help her shape the music and get it out to the public.

“That’s the big challenge right now at the moment,” Shania tells ABC News Radio. “It’s a fun challenge. I mean, it’s overwhelming. There’s a lot of amazing producers out there. I’ve just got to make sure that I find the right one suitable to what I want to do and where I want to go with things.”

So far, Shania has written this new batch of songs by herself, but the producer will have a big role in determining the sound and feel of the album.

Says Shania, “That’s why it’s just so important that I get the right person to make sure that it’s the right mix and the right balance of everything.”

In the meantime, Shania’s fans can look forward to 22 more performances of Shania: Still the One at Caesars Palace starting October 15. She kicked off the residency last year to sell-out crowds and rave reviews. Shania credits the show’s success to her longstanding relationship with her fans as well as the risks she took to make Shania: Still the One her most eye-popping production ever.

“You know, you have people that go to shows, probably go to several shows a year,” Shania explains. “They know what they like and they know what to expect and you’ve got to deliver that and more. You have to surprise them.”

Shania admits she was extremely relieved when the show was a success because she put all of herself into it.

She says, “I wrote the show myself. The intention was to take that risk. It was a real challenge for me.”

The ongoing demands of performing such a huge show keep Shania very busy while she’s in Las Vegas, but she hopes to catch some other Vegas headliners’ shows soon. Shania still hasn’t seen fellow Canadian Celine Dion‘s show at Caesars — they both play that same room at different times. As for newcomers to the Vegas strip, Shania expects Britney Spears‘ upcoming show at Planet Hollywood to be a big success when it debuts this winter.

“I’m sure that it’s going to be amazing,” Shania says. “I can only imagine that it would be.”

Tickets for all 22 performances of Shania: Still the One are on sale now at ShaniainVegas.com. She’s playing select dates at Caesars Palace from October 15 through December 14.

http://www.wwgp1050.com/2013/08/19/shania-twain-busy-writing-new-music-as-she-plots-october-return-to-caesars-palace/



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98.1 CHFI asked her a question about what she would do if vegas was not successful ? She replied first maybe write another book. She then says maybe make a record ? So her Facebook status several weeks ago about putting songs together for her next record is false ?  Kinda sad but Mutt was the talent the more I think about it.



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I don't bother with Shania news anymore because I realized she was full of b.s. long ago. She is not seriously looking for any producer and she will not be putting out any album in the near future. I agree with butters that Shania is full of b.s.. She says things every once in a while to give those fans hope. She has no intention of puttind any music out. It has been the same for the last decade. Withouut Mutt Lange she is afraid to do anything and let's face it Mutt motivated her to make music. Sorry folks, Shania is not being honest and will always have an excuse to not make music. Chow for now.



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UGG why is it whenever Shania says something it's usually always criticized so negatively? And no Shania is not Bs, she is a true Angel. I love Shania so so much and I hate it when so called fans say she is Bs because she is ABSOLUTELY NOT !!!!!!!!!!



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I love Shania more then anything she is my number 1 idol  Im a proud Twainaic. 

Shania made my dream come  true in Vegas on June and will be seeing her again in July 



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She has had a decade. A decade. Yes, a decade to find the right producer. She is only starting to look now?

More BS unfortunately. She puts out little bits "new" information so her fans stay interested in her.

Sometimes she is "writing new songs" other times she is "putting the record together" and now she has to start the long and seemingly endless search for a great producer.



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Shania says she plans on hiring a producer early in the new year, record a new album next Summer and maybe have it released by the next Christmas. (Does that mean Christmas 2014 or Christmas 2015?). Anyway, we'll see about all this. We have heard this several times over the past 10 years. Shania also expects her "Still The One" Vegas show to be released on DVD.

1-on-1 With Shania Twain: From Las Vegas to Nash-Vegas, All's Well

By Michael Bialas | Posted: 08/19/2013 9:31 pm

Shania Twain's bucket list is really more like a deep, romantic wishing well that's filled with dreams and ambitions, many of them realized whether they're modest or grand.

Twain mentioned making some of that wish fulfillment happen during an interview with The Huffington Post last week.

Taking a well-deserved four months off after completing her successful opening run of 36 shows as the first country performer to headline the Colosseum at Caesars Palace in Las Vegas, Twain sounded relaxed on the phone from her home in Switzerland.

Her hiatus has been spent participating in the usual summer outdoor activities (hiking, swimming, boating) and enjoying precious time with husband Frederic Thiebaud and son Eja. On the domestic side, Twain appreciates the joy of cooking, and described her latest experiment, sounding as excited as a schoolgirl giving a "What I did on my summer vacation" report.

Twain tried a new recipe that's become her latest specialty -- the banana spice cake was "a total success" and "totally rocks."

But the sexy songstress also fulfilled a few rock 'n' roll fantasies while "being on the other side of the stage for a change" as a concertgoer.

Some first-time moments she experienced were "great" -- watching Bonnie Raitt and meeting Joe C0cker ("He's such a lovely guy") at the Montreux Jazz Festival -- while others were "epic," such as finally seeing the Rolling Stones in concert.

Since, as Twain pointed out in her book From This Moment On, she was born in 1965, the same year year "(I Can't Get No) Satisfaction" was released, there was "just something surreal about" hearing Mick Jagger perform the classic rocker live at Hyde Park in London that was the highlight of her summer.

"Mick Jagger has a style that is timeless, first of all," Twain said, deciding to pass up another Prince show (she saw him a few years ago) for this opportunity that may never present itself again. "He's a consistent professional all the way. And, you know, a great personality. He's just a great example of how all of us would want to be ... any entertainer would consider a good example of a classic entertainer."

Twain also exemplifies that, a performer with a stunning stage presence that any music fan should see live at least once in a lifetime. After a turbulent time in her life marked by a startling divorce from her producer/hit-making husband Robert John "Mutt Lange" that was finalized in 2010 and the temporary loss of her voice that put the pop-country queen's reign in jeopardy, Twain came back in eye-popping fashion last December.

A two-year Vegas residency called Shania: Still the One will resume with 22 more shows beginning October 15 and ending December 14. There might not be a better venue to see Twain at her best, delivering all the platinum sellers and Grammy Award winners in a jam-packed 90 minutes. (See my review from her debut week.)

Twain's contract at Caesars runs into December 2014, but Canada's best export since Molson has other activity planned for the future. The next item of business is recording her first studio album since 2002's Up!

Reminded that it's been two decades since her self-titled debut, Twain said, "Wow, 20 years. I should have released an album this year. ... I didn't actually realize that. Thanks for that fact. You know what? I'm really now focusing hard on who should produce the next album.

"It's hard. I'm sort of overwhelmed by the choice. There are so many great producers. And I never really had to think about that before (since Lange handled most of those past chores). So it's the first time I'm really, seriously having to think about who would be the right match, you know."

While she has some names in mind, "I haven't targeted anyone yet," Twain added. "So I'm really still swimming around in that giant pool of great producers, to be honest."

Twain, who said she already has a lot of music written, plans to hire a producer early in the new year, then, "It would be amazing if I would be able to record something prior to next summer. That would be ideal. It'll probably end up that I'll be recording next summer and then maybe release the next Christmas. That would be wonderful. That's probably more realistic."

After all, Twain will spend a lot of time during her Colosseum residency shuttling between Vegas and the Bahamas, leaving her Swiss abode behind for the warmth of the Caribbean sun just in time to celebrate turning 48 on August 28.

"I'll be on the beach for my birthday," she said ecstatically.

Getting back into the groove at the Colosseum won't be that difficult, anticipates Twain, who will arrive two days before her first show. That's right after Elton John, who also takes turns sharing the luxurious 4,300-seat room with Celine Dion and Rod Stewart, moves out.

"It's a pretty quick turnover," Twain said. "Once we get set up, we just go in and run through the show a couple of times on the day prior just to make sure we work out any technical problems. ... It's weird when you've been off for a couple months and then you've got to put it back into shape. But it's all part of the excitement."

Just like getting back on a bike?

"Yeah, sort of," she said, laughing. "Kind of."

Of course, there's no comparison. With all the moving parts to Twain's show, the possibility of something going wrong exists, but her cool demeanor suggests otherwise.

"It's a complicated setup," Twain said. "The room deserves it. You need to really, I guess, live up to the standard that that room demands. And that's been a part of the challenge as well as a part of the reward for me."

While the show evolves naturally during its run, Twain said there won't be any dramatic changes until possibly next year, with everything from the players (including kid sister Carrie Ann Brown) to the gorgeous costumes (including the sleek catsuit above) remaining the same. Just don't expect any family twists, like Twain's 12-year-old Eja making a guest appearance.

"Oh, he would never do it, I don't think," she said with a laugh about her only child, who plays some guitar and sings but prefers to arrange music. "No. He's not really into the performing. Yeah, he's more of a behind-the-scenes kind of person," adding that he takes after his producer-dad more than his outgoing mom in that regard.

Twain is happy to report that her voice held up nicely during the first run of shows. "I was warned about it because it's so dry there," she said. "Everyone always says you've got to be careful of that. I feel like I take good care of it. I take steam baths every day. I do all my warmups in the steam bath. ... It's a matter of being really aware of it and then you can't be out drinking vodka shots or whatever. It's just a very dehydrating environment. ... You have to take it very seriously, I think. Because it truly does, it will dry you out and your voice is usually the first to go, for sure."

While avoiding many of the temptations the Sin City has to offer (she doesn't gamble), Twain does occasionally get to enjoy the nightlife (Cirque du Soleil, David Copperfield, Blue Man Group, even Carrot Top), fine dining and shopping excursions.

That's miles and light years away from her childhood in Timmins, Ontario, and she realizes the importance of giving back. Shania's Kids Can is a charity program that provides support, encouragement and social integration to underprivileged children "so that they, hopefully, don't fall through the cracks as easily as they would otherwise and get left out," Twain said. In Vegas, she'll make occasional visits to Tom Williams Elementary School as part of that.

"I sort of blend in when I'm (in Las Vegas) because I just dress down and get out there and live a pretty normal life," she said, somehow managing to maintain a low profile off stage. "I think the thing is if you want to be normal, then you've got to act normal, and then you don't stand out. You'd be surprised how well that works."

While Nashville has become glitzy enough over the years to be called Nash-Vegas, Twain said the two cities really are "completely different places."

Yet she still has a place in her heart for the Tennessee town that launched her career.

"Oh, yeah! I love Nashville," Twain said when asked if she continues to stay connected with the Music City. "It's developed so much over the years, oh my gosh! I mean, since from when I first went there. It's changed a lot and it's really fun to visit. To be honest, a lot more fun than when I first went there because it's, I don't know, it's developed in a really good way. ...

"It's probably developed to be a little more international than it used to be. And I enjoy that about it now. But when I first went there, I'm really glad it was what it was. Because it was still what I remembered people talking about it, as far as a lot of the studios were still intact and in their original state, for example. ... And it was a neat discovery for me. I really enjoyed discovering it, I guess is what I would say."

Twain certainly had a lot to do with transforming the city from its traditional country and western roots into the USA's crossover capital, but still remembers that it wasn't easy.

"Country music was really surging at that point," she said of the early '90s, when artists such as Garth Brooks started selling millions of records. "And it became extremely competitive. Especially for a non-American, right? Coming from Canada, it was challenging. You know, I had my challenges and it was challenging getting my songwriting appreciated or understood even, really because I had my own style. And it didn't stem from Nashville or it didn't stem from any influence in Nashville. It was just what I was doing.

"And so it was interesting trying to get in there and to be taken seriously. But I plugged away and there were just a few key supporters and that was enough, thankfully. And it all turned out pretty good in the end. (laughs) But the timing of that, the timing of the level of competition was also a blessing because it was a platform that was able to launch an artist in a really huge way because it, in itself, was so popular again as a genre."

Twain remembers comparing notes with another attractive up-and-comer who eventually went on to attain superstar status and is following in her Vegas footsteps.

"I like Faith a lot," Twain said of Faith Hill, who brought the Soul2Soul show with husband Tim McGraw to Vegas' Venetian Theatre last December and will be back for 10 weekends of shows beginning in October. "She's a really cool person and we knew each other before either of us made it, so it was kinda neat. I mean just in town, around Nashville. Two girls just trying to be heard."

Occasionally, Twain said, they would have lunch and "just talk about how things were going and what we were each doing, and it was nice. You know, we just shared that same goal together and talked about our dreams and just real normal girl talk."

The fact that Hill and McGraw jumped on the Vegas bandwagon well after Twain got the motor running doesn't seem to bother her.

"I didn't really make anything of it at all," Twain said. "I had already been so much in the flow of what I was doing with the show, with my show that I just didn't ... no, I didn't think of it at all, to be honest. They've been touring all these years and they have their own thing going and, yeah, I didn't see it as ... if anything, I sort of thought it would be neat to cross paths there. But I never got to see (their) show."

Twain said she plans to rectify that the next time around, especially since Hill came to see one of her performances before the hiatus. And with so much in common, maybe they'll be able to catch up on their personal lives someday.

"She's got a place in the Bahamas as well," Twain said. "When I'm done, I think I'm just gonna drop in. You know, just drop in and say, 'I'm here unannounced, but here I am. Let's sit and chat.' "

Plunk. That deep well keeps filling up. Adding to that wishful thinking, Twain still wants to see Garth Brooks and Taylor Swift perform in concert, meet the Rolling Stones and maybe find a way to top this Vegas act, which she called "a monumental thing for me and my career" that she plans to eventually preserve on DVD.

"Oh, man," she sighs when asked to explore what she has in store for a career encore. "Well, maybe when I leave there I'll go right back to the basics. I'll do the opposite or something. ... I think it's very, very hard. But that room is probably the pinnacle of production standards that only live artists could get. ... It's a real, I guess I would say, privilege to be there. I don't know what you do after that. I guess you have to do something better." (laughs)

Beyond this residency, another album and possibly more touring, Twain can't predict the future but insists there's a lot left to accomplish.

"Oh my gosh, yeah," she said, the lilt in her laugh providing a patented exclamation point. "So many things. ... There's always that song I didn't write yet and there's so many wonderful surprises, I think, to look forward to really. And I wouldn't even be able to list them, to be honest. But there's always something to look forward to in a creative career. And you never know what's around the next corner."

With plenty of coin and an outlook just as rich, don't expect Twain's wishing well to run dry anytime soon.

http://www.huffingtonpost.com/michael-bialas/1-on-1-with-shania-twain_b_3782681.html



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Lets face it everyone, Shania has no plans for music, its constant excuses, Mutt was the force behind her, it cant be that hard for producers to come to her its Shania Twain damit

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According to NASH FM 94.7 in New York City, Shania called in this morning for an interview. I don't see anything on their website yet. http://www.nashfm947.com

"Let's go girls. We're so excited we can hardly handle it- Shania Twain is calling in to the show this morning from Switzerland! 7:50 AM EDT- don't forget!"
http://www.facebook.com/AmericasMorningShow

"America's Morning Show is calling Switzerland this morning- to talk to the legendary Shania Twain (!!!) so keep it locked in at 7:50 EDT!"
http://www.facebook.com/nashfm947



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Here is this morning's interview from NASH FM 94.7 New York City. It's basically all about Vegas again and Shania mentions she can't believe Eja is 12 years old.

Shania called in all the way from Switzerland to talk about her Vegas show, Tri-state area fans and her new marimba playing? Listen and find out!

http://soundcloud.com/americasmorningshow/shania-twain-calls-americas



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Shania Twain talks Vegas, new music and her beauty secrets

by Leigh Ann Dolan | Aug 22, 2013 5:15 PM

Shania's Still The One

SheKnows had a chance to talk to superstar Shania Twain about life in Las Vegas while performing her stage spectacular Shania: Still the One at Caesars Palace.

Twenty years ago, Shania Twain released her self-titled debut album.

Since then, the Canadian superstar has racked up numerous awards and honors, including her 1997 album Come On Over, which has become the best-selling studio album by a female act in any genre and the best-selling country album of all time.

She has conquered her home country of Canada, and the U.S. country and pop charts, so what’s next?

Vegas, baby. Vegas!

Twain brought all of her biggest hits to The Colosseum at Caesars Palace for a two-year residency that began in December.

Her stage show, Shania: Still the One, brings all of her biggest hits together for a spectacular performance.

"It’s a dream show for me," she said.

Taking more than a year to put together, Twain explained that this show is much different from a regular tour because of the venue.

"What you can do in The Colosseum at Caesars Palace, you can't do anywhere else," she said. "The technology is outstanding. You can do almost what you think is the impossible in that room."

The show takes fans through her life, both personally and professionally.

Twain explained that when planning the show, she went back through some of the iconic images from her career to develop the story line and especially the costumes.

"The costumes are wow," she said.

For a woman who grew up hunting in Canada, you'd think that Vegas would not be Twain's cup of tea. But as she explained, "I'm never bored [in Vegas]. It's really diverse, there's great food, great shopping and always a fantastic show to see."

And on her days off, Twain and her family like to spend time together hiking, playing sports and eating all of the great food Vegas has to offer. "Just normal stuff," she said.

Along with her free-time activities, she has been developing her cake baking skills. "My specialty cake is chocolate, but my newest success is banana spice cake."

Just taking a look at the 48-year-old Twain, you can see that's she's been doing something right. So what are her beauty secrets? We hope it's chocolate cake.

"Fitness and good eating. I eat a lot of salads and stay away from sugars," Twain said. Darn. She also added the importance of staying out of the sun and using sun block for good skin.

But don't think she spends her days in the gym. Twain prefers to exercise outside. "I'm not crazy about the gym. I love tennis and walking."

As for her current musical tastes, Twain cites Lana Del Rey, U.K. singer-songwriter Birdy, classical music and P!nk. "It would be really fun to do a duet with her."

And still, it's hard to believe that with her whopping 35 singles, in the 20 years since she's been performing, Twain has released only four albums. But she said now that the Vegas show is up and running, we can expect more music from her in the near future. "I am in the process of reviewing potential producers for a new album."

She explained that she wants this album to be different from her past ones, but "still true to me. I just want to follow my gut and let the songs lead the way."

This will be Twain's fifth studio album and her first in 11 years.

Looking back on the most important lesson she's learned over the years, Twain explained that the key is to "enjoy the success, but not take it too seriously. [Performing] is not a job for me. It’s a pleasure."

"People should come to the show [in Vegas] because it’s for them. I do what I do for [my fans]."

Check out what you're in store for when you go and see Shania: Still the One at The Colosseum at Caesars Palace in Las Vegas. You can purchase tickets here.

Plus, SheKnows is going to give you a chance to win tickets to see the show in Vegas!

http://www.sheknows.com/entertainment/articles/1015403/shania-twain-talks-vegas-show-new-music-and-her-beauty-secrets



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Shania Twain Seeking Producers for New Album

Now in her second year of Vegas residency, LP will be her first since 2002

By Steve Baltin | August 26, 2013 | 1:40 PM ET

After launching her Caesars Palace residency last December with a series of sold-out dates, Shania Twain, country music's biggest-selling female artist of all time, is returning to Vegas for another series of dates that kick off October 15th and run through mid-December.

With the show entering its second year, Twain can turn her attention to her next album, her first since 2002's Up!. Speaking to Rolling Stone from her longtime home of Switzerland, the superstar tells us she has most of the songs in place for the next record and is gearing up to find a producer and define the sound of the album.

How is the album coming?
I'm pretty much there with my songs, and I'm really just sitting on the fence in regards to a producer. So I'm listening to a lot of records, doing my homework there, and trying to determine who is the right match.

Are there people who stand out to you as you listen to records?
This is last year, but I'm really stuck on Lana Del Rey. I've been listening to that one a lot more and kind of stuck on the sound of that record. I really love Raising Sand as well – Alison Krauss and Robert Plant. So that goes to show you how lost I am as far as production direction, because I'm listening to such a broad spectrum. Both of those productions really appeal to me, and the direction that they took – just trying to get ideas for myself.

Is there more internal pressure because it has been so long?
Yeah, of course. I do want it to be perfect, and I want it to be something that I really enjoy and a product of my inspiration – not a product of necessarily anything I've done before or anyone I've been before in regards to making records, because it's been a long time. I'm different, I've evolved, and I want that to be reflected in the music. At the same time I don't want to abandon the root of what I am. So it's just really determining where am I really at and just looking through that. It's not as obvious as it seems it should be.

What are the songs that have really jumped out at you, and what can you tell us about the ones you have so far?
There are probably less upbeat songs. I would say it's more half and half compared to what I would've done in the past, where I would've leaned more towards mostly uptempo songs. I still want to remain positive with my lyrics and stay in that mode with my music, because I enjoy uplifting myself, if you will, with my songs. But at the same time I'm going deeper, and I'm being more realistic with my point of view on things. It's really such a personal journey making a record, but even more so writing the songs. And you feel a bit obsessed about them at this stage as well, I think, because until they get to a producer they're still yours, at this stage where I'm at now. So maybe letting go is going to be a little bit difficult, and I know that when I involve a producer that's sort of what will happen to a degree. Of course I'll remain very involved, but I guess I've just got to get out there and meet these producers face-to-face and talk through. I've just got to get myself to that next stage.

Raising Sand was produced by T Bone Burnett. I'd love to see that collaboration, but there are so many good producers out there.
There's a lot of choice. It's overwhelming, and it's overwhelming trying to pinpoint who to go with on this project, because it will determine a lot of the direction, and I'm committing myself. It's that fear of committing myself once and for all and locking myself in. That's what scares me the most, really. And I've had a lot of fun just being creative with it and just floating around, changing my mind. And that's part of the whole thing of being creative – until you commit, you can change your mind and rewrite it and create a new melody and change the story. And at some point that's got to end. And that is the point when you actually make the records. So letting go of that phase of it is probably my biggest hesitation.

Any chance you'll preview new material in Vegas?
I think it's too soon. I probably could start doing that, but I don't want to get locked into a performance mode with a song, either, until I've taken it a little further down the line. Just talking it through, like we're doing now, does help. And it gets me in that mindset. It's probably the right time now to start taking it more seriously as far as getting into the studio, especially since I'm finished producing the show. The show took well over a year to put together, so that was a production in itself, like making a record. You had to write the whole story – literally wrote the show out like a script, worked through the production and had the technical side of it and eventually delivered it. So I'm only recently freed up from going into one production and just getting geared up to go into another one, which should be the record.

Were there tours or performances that inspired you in creating this Vegas show?
What we can do in that room I really wouldn't be able to do anywhere else – certainly not tour with it, because the technology is so sophisticated you can't really move around with it. So the joy of having that high-end technology and taking advantage of that was a huge part of the excitement for me, and the margins where I can go and take it are just so broad in comparison to touring. So I wrote the show with all of that in mind, knowing I would have all this technology available – this great room, the acoustics and this giant stage and everything like that. So I almost shot it more like a music video, all of my more iconic music videos or images, and based it from there. I wanted to bring those more alive, so I used that as the influence in regards to the fashion and the look of things. I want it to be familiar to people as well. I want them to reminisce, but I wanted them to see things in a more refreshed, contemporary way. Then there was the fun part of picking the director and giving them all my ideas, my wish list, and asking them all, "Which ones do you think you can realize, and how would you make them happen?" And then the spine of the show was the song list. I want people to hear the songs they know. I want people to hear the hits and I want them to be satisfied in that regard. It always disappoints me when I go to a concert and they don't play my favorite song, or at least one of their biggest hits. That process, for me, even without being the performer, was a fantastic experience, and really the big reason why I didn't plunge into the record right away. I needed that year just to write the show, to create it and build it.

I know you've seen a lot of shows of late as well. What blew you away?
Sting I've seen a few times and he really inspired me, in the sense that he breaks the songs down a lot and will take a different approach. He'll take an acoustic approach to them, he'll rearrange them for the live stage. And I thought, "I really admire someone taking the license to do that, owning that." I played around with that a little bit in the show as well, so that was an influence. I really admire artists that are willing to take a different approach and a different angle to their shows. So I did some of that. 

http://www.rollingstone.com/music/news/shania-twain-seeking-producers-for-new-album-20130826



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Recap of yesterday's Rolling Stone article.

Shania Twain: New Songs Coming, Country Star Hints At Help From T Bone Burnett or Lana Del Rey's Producer

It's hard to believe that the best-selling female in the history of country music hasn't made an album in more than 11 years. Shania Twain told Rolling Stone in an interview however that although there's a lot of work to be done, she's looking forward to producing new music when she finishes her upcoming Las Vegas stint at the end of 2013. 

"I'm pretty much there with my songs, and I'm really just sitting on the fence in regards to a producer," she said. "So I'm listening to a lot of records, doing my homework there, and trying to determine who is the right match."

Twain cited a few artists whose music and production style she's enjoyed, and the range is wide. One name perhaps not too surprising for country fans is T Bone Burnett, a producer renowned for his work in Americana, and the man behind one of Twain's favorite recent albums, "Raising Sand" by Robert Plant and Allison Krauss. On the opposite side of the spectrum, she expressed her enjoyment of Lana Del Rey's music as well. 

"There's a lot of choice," she said. "It's overwhelming, and it's overwhelming trying to pinpoint who to go with on this project, because it will determine a lot of the direction, and I'm committing myself."

Twain has an idea for the mindset of the album however. She told fans not to expect anything quite as upbeat as her multiplatinum 1997 album "Come On Over." She aims to be positive in her lyrics, she said, but there won't be as many uptempo tracks. 

Unfortunately for fans heading out to Vegas to take in Twain's two-month residency at the end of the year, the vocalist won't be busting out anything new. 

"I think it's too soon," she said. 

Too soon? It's been 11 years Shania!

http://www.musictimes.com/articles/1127/20130827/shania-twain-new-songs-coming-country-star-hints-help-t.htm



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Hi,

Found this article on line at cnn:

Interesting to read.  Shania seems to be on a press tour from her home in the Switzerland...she is trending on a lot of websites with this new album news.

Shania Twain spills new album details

By Steve Baltin, RS.com
updated 9:25 AM EDT, Thu August 29, 2013

(RS) -- After launching her Caesars Palace residency last December with a series of sold-out dates, Shania Twain, country music's biggest-selling female artist of all time, is returning to Vegas for another series of dates that kick off October 15th and run through mid-December.

With the show entering its second year, Twain can turn her attention to her next album, her first since 2002's "Up!."

Speaking to Rolling Stone from her longtime home of Switzerland, the superstar tells us she has most of the songs in place for the next record and is gearing up to find a producer and define the sound of the album.

How is the album coming?

I'm pretty much there with my songs, and I'm really just sitting on the fence in regards to a producer. So I'm listening to a lot of records, doing my homework there, and trying to determine who is the right match.

Are there people who stand out to you as you listen to records?

This is last year, but I'm really stuck on Lana Del Rey. I've been listening to that one a lot more and kind of stuck on the sound of that record. I really love "Raising Sand" as well -- Alison Krauss and Robert Plant. So that goes to show you how lost I am as far as production direction, because I'm listening to such a broad spectrum. Both of those productions really appeal to me, and the direction that they took -- just trying to get ideas for myself.

Is there more internal pressure because it has been so long?

Yeah, of course. I do want it to be perfect, and I want it to be something that I really enjoy and a product of my inspiration -- not a product of necessarily anything I've done before or anyone I've been before in regards to making records, because it's been a long time.

I'm different, I've evolved, and I want that to be reflected in the music. At the same time I don't want to abandon the root of what I am. So it's just really determining where am I really at and just looking through that. It's not as obvious as it seems it should be.

What are the songs that have really jumped out at you, and what can you tell us about the ones you have so far?

There are probably less upbeat songs. I would say it's more half and half compared to what I would've done in the past, where I would've leaned more towards mostly uptempo songs.

I still want to remain positive with my lyrics and stay in that mode with my music, because I enjoy uplifting myself, if you will, with my songs. But at the same time I'm going deeper, and I'm being more realistic with my point of view on things.

It's really such a personal journey making a record, but even more so writing the songs. And you feel a bit obsessed about them at this stage as well, I think, because until they get to a producer they're still yours, at this stage where I'm at now. So maybe letting go is going to be a little bit difficult, and I know that when I involve a producer that's sort of what will happen to a degree. Of course I'll remain very involved, but I guess I've just got to get out there and meet these producers face-to-face and talk through. I've just got to get myself to that next stage.

'Raising Sand' was produced by T Bone Burnett. I'd love to see that collaboration, but there are so many good producers out there.

There's a lot of choice. It's overwhelming, and it's overwhelming trying to pinpoint who to go with on this project, because it will determine a lot of the direction, and I'm committing myself. It's that fear of committing myself once and for all and locking myself in. That's what scares me the most, really. And I've had a lot of fun just being creative with it and just floating around, changing my mind. And that's part of the whole thing of being creative -- until you commit, you can change your mind and rewrite it and create a new melody and change the story. And at some point that's got to end. And that is the point when you actually make the records. So letting go of that phase of it is probably my biggest hesitation.

Any chance you'll preview new material in Vegas?

I think it's too soon. I probably could start doing that, but I don't want to get locked into a performance mode with a song, either, until I've taken it a little further down the line. Just talking it through, like we're doing now, does help. And it gets me in that mindset. It's probably the right time now to start taking it more seriously as far as getting into the studio, especially since I'm finished producing the show.

The show took well over a year to put together, so that was a production in itself, like making a record. You had to write the whole story -- literally wrote the show out like a script, worked through the production and had the technical side of it and eventually delivered it. So I'm only recently freed up from going into one production and just getting geared up to go into another one, which should be the record.

Were there tours or performances that inspired you in creating this Vegas show?

What we can do in that room I really wouldn't be able to do anywhere else -- certainly not tour with it, because the technology is so sophisticated you can't really move around with it. So the joy of having that high-end technology and taking advantage of that was a huge part of the excitement for me, and the margins where I can go and take it are just so broad in comparison to touring.

So I wrote the show with all of that in mind, knowing I would have all this technology available -- this great room, the acoustics and this giant stage and everything like that. So I almost shot it more like a music video, all of my more iconic music videos or images, and based it from there. I wanted to bring those more alive, so I used that as the influence in regards to the fashion and the look of things. I want it to be familiar to people as well. I want them to reminisce, but I wanted them to see things in a more refreshed, contemporary way.

Then there was the fun part of picking the director and giving them all my ideas, my wish list, and asking them all, "Which ones do you think you can realize, and how would you make them happen?" And then the spine of the show was the song list. I want people to hear the songs they know. I want people to hear the hits and I want them to be satisfied in that regard. It always disappoints me when I go to a concert and they don't play my favorite song, or at least one of their biggest hits. That process, for me, even without being the performer, was a fantastic experience, and really the big reason why I didn't plunge into the record right away. I needed that year just to write the show, to create it and build it.

I know you've seen a lot of shows of late as well. What blew you away?

Sting I've seen a few times and he really inspired me, in the sense that he breaks the songs down a lot and will take a different approach. He'll take an acoustic approach to them, he'll rearrange them for the live stage. And I thought, "I really admire someone taking the license to do that, owning that." I played around with that a little bit in the show as well, so that was an influence. I really admire artists that are willing to take a different approach and a different angle to their shows. So I did some of that.

See the original story at RollingStone.com.

http://www.cnn.com/2013/08/29/showbiz/music/shania-twain-rs/

Warmest regards as always,

Tonto



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Nothing new in any of these articles. The same thing she has been saying for over a decade.

Now she is in the "it is so tough to find the right producer so it will take at least a few years to narrow one down" phase. And the press makes a big deal out of it...."New music from Shania!!" And then nothing more about it for months and months until a new sound bite.....



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If she decided to retire today, have a child with Fred, and devote her time to raising that child with Fred, and say goodbye to music, I wouldn't begrudge her one bit. After what she's gone through, for her to find Fred, and for Fred to find her, is a blessing. Actually, for her to have the success she's had, Fred or no Fred, after what she's gone through in her life, is a blessing and she could retire right now and I would be fine with it, the universe would be in balance, score one for the sincere and the genuine of the world. Call me a sappy sentimental, a naive romantic, but that's my opinion of Shania.

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Have a child? She is not young. She is closing in on 50. I think that Twain has left the station.

And it has nothing to do with retiring. That would be her choice. It has everything to do with her pretend pronouncements about this mythical album that is STILL going to be released.

And plenty of people have gone through hard times. Her success and her millions have provided her with a very young retirement. She is luckier than most people.

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Lucky? Luck comes to those who work, and she's worked her 9th most spankable bottom off. What's that saying? You have to be good to be lucky.

She's earned every penny. I don't resent her success.

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104.5 CHUM FM in Toronto (August 16, 2013)

Shania Twain Calls In

While talking about our favourite CNE memories, we get a very special caller!

http://chumfm.com/Media/Podcast/Roger-Darren-Marilyn/Shania-Twain-Calls-In

***The Canadian National Exhibition (CNE), also known as The Ex, is an annual event that takes place at Exhibition Place in Toronto, Ontario, Canada during the 18 days leading up to and including Canadian Labour Day Monday. With approximately 1.4 million visitors each year, the CNE is Canada’s largest annual fair and the seventh largest in North America. The first Canadian National Exhibition took place in 1879, largely to promote agriculture and technology in Canada. Agriculturists, engineers and scientists exhibited their discoveries and inventions at the CNE to showcase the work and talent of the nation. As Canada has grown as a nation, the Canadian National Exhibition has also changed over time, reflecting the growth in diversity and innovation. Agriculture and technology remain a large part of the CNE today.

 



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The hosts started grilling Shania about a new album and she says she's just not anxious to get back in the production mode. Then they said "in other words, you've become complacent." At least somebody finally called her out on it.



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