WIN TICKETS TO SHANIA TWAIN!!! We’re sending one of our lucky Facebook fans to the SHANIA TWAIN concert on July 9th! All you have to do is “Share” this post and “Like” our page and you’re automatically entered to win! Winner will be announced on our Facebook page on Tuesday, July 1st! GOOD LUCK!
HAPPY CANADA DAY!!! I can't wait to see you all in Calgary July 9th and 10th. Come to my MEET and GREET! Go and order now if you want to meet in person at Calgary Stampede! Ticket sales go to SKC!!! Can't wait! Here is the Link:http://skcafterparty-calgary.whindo.com/
We're giving away another pair of tickets to the Shania Twain concert on Wednesday, July 9th at the Saddledome!
To enter to win: Either follow us on Instagram (@yycsungirls) or Twitter (www.twitter.com/suncontests), then post your Twitter or Instagram username below.
One lucky winner will be announced on our Facebook page on Monday, July 7th. GOOD LUCK!
CALGARY!!! Here I come!!! It's THIS WEEK on the 9th and 10th that I am performing! I CAN'T WAIT TO SEE YOU!! I am so very excited to be in your town - WE ARE GOING TO HAVE A BLAST! I am blowing a big KISS to all of you! Post here if you are coming to see me!
See Shania Twain in Concert at the Stampede on July 9, 2014 and attend an exclusive After-Party with Shania and her band!
With proceeds from this event going to Shania Kids Can!
Shania is performing two sold out concerts during the Calgary Stampede on July 9, and 10, 2014. Shania Kids Can has 20 great seats for the show on July 9th and will be hosting an After Party with Shania and her band and you can be one of the 20 guests that will attend! Proceeds from this amazing event will go to Shania’s Foundation “Shania Kids Can” which is establishing a Shania Kids Can Clubhouse Program in Calgary that will benefit Elementary School Age Children. You can learn more about this excellent program by visiting the website at www.shaniakidscan.com.
I wonder how many people are going to the July 9th after-party. It says it's only for 20 people but you can still buy tickets. Shania will probably open the SKC Clubhouse in Calgary tomorrow or Tuesday.
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Tommy's #1 SHANIA TWAIN SuperSite shaniasupersite.com Our eyes are closed, but we're not asleep, We're wide awake beneath the sheets
Hey.... CALGARY! It's ON tonight! I am so excited and I can't wait to get on that stage and ROCK the night away with YOU! Let's get TOTALLY CRAZY tonight and make so much noise that they hear us in Vancouver! Let's ride!!
I'm a bit disappointed that she was mostly wearing the same costumes from her LV show :( Can't wait to see more pictures than the blurry ones on twitter!
Rabid fans in Calgary soak in Shania Twain’s first Stampede appearance and first travelling concert in a decade
By Gerry Krochak | July 9, 2014 | Calgary Sun
What happens in Vegas … doesn’t always stay in Vegas.
Making a quick two-day and two-night Calgary Stampede detour from her two-year residency at Caesar’s Palace in Sin City, Shania Twain thrilled a capacity crowd during the first of two sold-out concerts at the Scotiabank Saddledome Wednesday night.
As the blistering sun hammered down on 17,000 Bryan Adams fans just up the street at Fort Calgary (that makes two Canadian icons in our city on the same night), there was a party of a different — but no less rowdy — kind at the Dome during what was surely the entertainment peak of the 2014 Calgary Stampede.
Living up to the hype will always be a challenge for the biggest-selling female country artist of all time, but it wasn’t a tough crowd gathered at the old barn last night for what was easily been the most anticipated performance of the real “Greatest Outdoor Show On Earth.”
Hell, it’s not like nerves could be a problem when the vast majority of the 14,000 in attendance had convinced themselves that this 90-minute performance would be the gig of the year — before even walking through the doors.
After making a grand horseback entrance, and wearing a Mountie uniform (for real).
The ultra-slick and sterile Vegas glitz was evident through the simplistic, almost nursery-rhyme-ish lyrics of I’m Gonna Getcha Good!, You Win My Love and Don’t Be Stupid (You Know I Love You). But if the songs that led to over 75 million records sold are far from classic art, they are enduring … and, frankly, easy for anyone to sing along to.
How else do you explain a 10-year absence from the public eye and an appetite for the 48-year-old originator of mass crossover pop and country that has, seemingly, not waned one bit? Not even a little.
“Welcome Calgary,” Twain gushed as the building exploded. “This my first Calgary Stampede … can you believe it?
“It feels so good to not only be back in Calgary, but to be back on the live concert stage after nearly ten years. We’re going to have a good old Canadian time tonight!”
And they did.
Despite the horseback gag, a 13-piece band and one giant video screen in the middle of the stage, the production and “show” value was nowhere near where it needed to be for a concert of this magnitude and ticket price.
Let’s face it, when there’s this little substance, there needs to be flash and plenty of it. That’s showbiz pop-country in a nutshell — and, let’s be honest, Twain played a huge role in creating it.
In any case, the crowd continued to go berserk through the title cut from 2002’s Up! before a slight break from the massive hits with the two-step honky-tonkin’ of I Ain’t No Quitter and No One Needs To Know.
An acoustic foray which included a tribute to Twain’s late mother and cover of the Hollies’ Carrie Anne, the title cut of the eighth-biggest selling album in music history, Come On Over, as well as Rock This Country! paved the way for a double shot of Whose Bed Have Your Boots Been Under and Any Man Of Mine — both numbers from Twain’s 1995 breakthrough album The Woman In Me had the shoe-horned throng hootin,’ hollerin’ and dancing in the aisles.
Twain has always had impeccable timing and wouldn’t you know it? Country line dancing is, once again, in vogue. Sheesh! She continued to pour on the hits through That Don’t Impress Me Much and (If You’re Not In It For Love) I’m Outta Here!
The predictable, yet clearly crowd-pleasing finale of You’re Still The One, From This Moment On and Man! I Feel Like A Woman sent the crowd to the exists feeling like they got exactly what they came for.
Show of the year? Highly debatable. Most excitement of the year? No contest …
Speaking of thrills … La Crete, Alta., trio High Valley did our province proud by walking on the Saddledome stage and hardly looking out of place during its 30-minute opening set.
Brothers Brad and Curtis Rempel showed some beefy harmony vocal chops through Rescue You, Let It Be Me and Copper Mine as the massive crowd filed towards their seats and took notice. Nice work, boys.
It all takes place again Thursday night at another soldout Scotiabank Saddledome.
Isn’t what happens there supposed to remain there, supposed to not be spoken of and not carried across state lines and back into the real world?
Especially when the person who does that thing, does that Vegas deed, all but promises it will remain there, that Vegas and all of its trappings and superficiality and overly showy showmanship will be dropped to get back to their roots.
That, ultimately, is the failing of Canadian country superstar Shania Twain’s first foray back into the world of concert-giving after a decade absence and a two-year residency down in Sin City.
She left there, but she didn’t leave it there. She brought it with her. Or it’s merely become inseparable from her.
Whatever the case, despite intimating an evening very much different from her Still the One show in Caesars Palace, despite promising something that was more of a rock show, the first of her two-night Stampede Saddledome stand had all of the feeling — or, to be honest, second-hand understanding and impression of — and even much the same set list as that Nevada program which she wraps up later this summer.
It didn’t feel like a concert, it felt, looked and sounded like something that was put together for the Cirque crowd on the Strip, with silly dance routines, gaudy theatricality, numerous costume changes, big lights, bright backdrops, fog machines and well-rehearsed lead-ins that were mere glitzy add-ons to a couple of decades of recognizable hits.
Even her entrance was a little too much pandering showmanship and a lot less actual connection, with Twain, in RCMP costume, entering floor-level with other (presumably) actual mounted police, taking the stage and waving in the iconic red uniform, before the lights went down, and she was stripped to a glittery one-piece.
Musically, the chart-toppers were plentiful — I’m Gonna Getcha Good, You Win My Love, a remarkably earthbound Up!, (If You’re Not In It For Love) I’m Outta Here, From This Moment On, Man! I Feel Like A Woman! — but they were performed mechanically by both the large band and Twain.
It was as if they were holding a little something back — perhaps it was the matinee before the evening show — and each tune a musical number, rather than an actual song, in a surprisingly ploddingly paced performance.
It took a good half-hour before the first genuine moment of her set, which was when she brought a handful of fans onstage and chatted with them — perhaps, as an audience member’s quibble, for a little too long in a 100-minute concert — before engaging in a campfire singalong on Come On Over. But even then, when the fireplace and faux forest backdrop appeared, that natural element and idea was all but lost.
On a vocal level, which actually seems rather redundant in the context of the show, Twain for the most part sounded strong and in pretty fine form, showing none of the ill effects of her vocal cord issues.
Today is Your Day was particularly nice, with cracks in the performer facade letting in some actual character and emotion.
If only there was more of that. If only — to compare Twain’s appearance with fellow new country legend, fellow Vegas denizen, and fellow recent Stampede visitor Garth Brooks — there was more concert, more song, more singing, more Shania and less show perhaps it would have been a more successful evening if not a magical one.
In other words, if you’re going to leave Las Vegas, leave it all behind. It may work down there, but it doesn’t play as well when you bring into back into the real world.
On the flip side, Alberta trio High Valley were a surprisingly effective opener. Not surprisingly because they don’t have any talent or any kind of history that would back up their inclusion on the bill, as Juno and CCMA nominations populate their resume. Surprisingly because it was an intimate, broaching lovely soft-seater performance in an arena setting. Correction: In a Stampede arena setting.
By any and all expectations, it shouldn’t have worked, let alone as wonderfully as it did.
They were charming, easygoing, likable and refreshing, and their music was as soothing to the ears as the air conditioning in the ’Dome was to the ample and exposed beet-red flesh that filled it.
They fought the indifference and conversations of those early-comers who were there for the Shania treatment or Stampede experience, and they won.
They did so with their contemporary and classic faith-based country songs — from unassuming new country numbers LET It Be Me and Dirt Road Side to a wonderful bluegrass tune later in the set — and they did so with a natural and un-awed onstage presence.
Heck, this was an act that closed with a quiet, earnest, acoustic number titled On the Combine, that was exactly what it said it was, a meditation and celebration of farm life, which they also managed to effortlessly, and non-cheezily, work in elements of the Black Eyed Peas’ I Gotta Feeling.
They even managed to fit into their 30-minute set some audience interaction, bringing up a young woman and serenading her — as a nod to their upbringing in the northern Alberta Mennonite community of La Crete — with a German version of the Backstreet Boys I Want It That Way.
Again, it shouldn’t have worked. But it did. Splendidly.
If you’re headed to Twain’s second Saddledome revue on Thursday night, do yourself a favour: Arrive early, beat the heat, and take in the cooling warmth of High Valley’s opening set.
shania rarely gets great reviews from so called concert reviews lol she doesn't care. It is the fans who pay their money for the ticket that matter, not some bitter or jealous reviewer who was never going to give her a good review nomatter what. Seriously do these people get paid for just being negative lol Anyway can't wait for the review for tonight lol joking, i never read these reviews and they never change anyones mind.If you are a fan you will love her concerts and get her. If you are not a fan and don't get her style then who cares. But i do find it amusing how a reviewers observation is totally different than someone who actually paid money to see her. And they are not unbiased. Most of these same reviewers have always had a grudge against her.
Calgary! You were on FIRE last night at the show! LET'S DO IT AGAIN TONIGHT! We raised over $30K for Shania Kids Can foundation too! THANK YOU to all who gave from their hearts! Please help make people aware of our foundation! Sponsors are so needed so we can open more Club Houses! "Like" and "Share" this post if you want to set the world on fire with me!
shania rarely gets great reviews from so called concert reviews lol she doesn't care. It is the fans who pay their money for the ticket that matter, not some bitter or jealous reviewer who was never going to give her a good review nomatter what. Seriously do these people get paid for just being negative lol Anyway can't wait for the review for tonight lol joking, i never read these reviews and they never change anyones mind.If you are a fan you will love her concerts and get her. If you are not a fan and don't get her style then who cares. But i do find it amusing how a reviewers observation is totally different than someone who actually paid money to see her. And they are not unbiased. Most of these same reviewers have always had a grudge against her.
I agree that reviewers have been giving her cr*p from the beginning. But I do have to agree that she should have done a whole different show than her Vegas gig. It just reeks of laziness on her part. Same outfits? Same dancers? Same everything. The stampede is not Vegas. This should have been one of her old type concerts. The first time she has major concerts outside of Vegas in more than a decade should have felt different. Now there was no reason to tape these shows for a DVD since she has been doing the same thing in Vegas now for years....I was SOOOO looking forward to an old Shania type concert. I went to at least 7 of them in the 90's. This should have been like those.
Sadly I can only agree on that "Shania has to learn to leave Las Vegas" review. I'm a little disappointed because I was hoping she would do a more simple concert like in the good old days. I haven't attended the concert but I can tell from the pictures and videos that the critic is totally right.
It's just a costume party again. Don't get me wrong, I liked that kind of show in Vegas because it just fits to the Vegas atmosphere and the beautiful Colosseum and I thought Shania created a theatrically show like that to fit into that Vegas atmosphere.
I didn't expect her to take this type of concert into arenas.
Do you guys think it was her idea/choice to do it like that or do you think Caesars Palace wanted it to be similar to the Vegas shows for promotional reasons?
I was excited because she said it will be much different from the Vegas shows and more like a rock concert. What did she mean by that? To me it looks absolutely the same except for the smaller stage, a few different stage effects and one different dress.
The same and already boring setlist she's been playing for almost two years now. Nothing new. If she wouldn't change her outfit every ten minutes she could at least perform two more songs.
The same outfits. I have to admit I'm already tired of seeing her in these outfits and don't even feel like looking at the pictures. However I never got tired of seeing her in the "simple" outfits on the Chicago DVD.
And I think she is wearing too much makeup. I mean look at her face. It looks like a mask in most of the pictures. Unreal like a wax figure. Looks like she has Celine Dion's makeup artists working for her lol. And that false hair (extensions) only contributes to making her look unreal. She is so beautiful and natural looking with few makeup and her real hair. Many recent pictures and videos have proven that. So why all the masquerade? Does she need to hide behind that to feel comfortable on stagae?
I'm not looking forward to her announced tour if it will just be the Vegas show on tour.
She doesn't need all that theatre and glitz because she has a great voice. Other artists need that to cover up their lacking musical talent. Her voice sounds great in the videos from last night, but we all know that it's great.
I miss those days of Shania performing You're Still The One and No One Needs To Know with her guitar and sporting a natural look.
If she does a tour I would like to see a combination of shows...like part Vegas, new music and go acoustic and simple. That way you can satisfy more people by covering a wide range of music styles that she has. I mean we all know she can do the dancing and the lights and the Vegas stuff but why not do lots of smaller venues with stripped down band and give fans a more intimate experience but also do some of the cool dance numbers but on a smaller scale. I'd be happy to see anything right now as I have never had the honor of seeing her live in concert or anywhere else. I don't want to pay a bunch of money to go to a place where I am so far away that I have to watch it on a huge screen...I've seen that at home for free. Give me the ultimate, intimate feeling in a smaller place where I can give myself the illusion that I matter and am not just part of a huge sea of faces...sell out crowds in huge stadiums are not what I want...that is not the experience we, as fans, should be settling for. I want my money's worth and if I do get to go to see her I want the option of having a backstage meet and greet experience.
Sadly I can only agree on that "Shania has to learn to leave Las Vegas" review. I'm a little disappointed because I was hoping she would do a more simple concert like in the good old days. I haven't attended the concert but I can tell from the pictures and videos that the critic is totally right.
It's just a costume party again. Don't get me wrong, I liked that kind of show in Vegas because it just fits to the Vegas atmosphere and the beautiful Colosseum and I thought Shania created a theatrically show like that to fit into that Vegas atmosphere.
I didn't expect her to take this type of concert into arenas.
Do you guys think it was her idea/choice to do it like that or do you think Caesars Palace wanted it to be similar to the Vegas shows for promotional reasons?
I was excited because she said it will be much different from the Vegas shows and more like a rock concert. What did she mean by that? To me it looks absolutely the same except for the smaller stage, a few different stage effects and one different dress.
The same and already boring setlist she's been playing for almost two years now. Nothing new. If she wouldn't change her outfit every ten minutes she could at least perform two more songs.
The same outfits. I have to admit I'm already tired of seeing her in these outfits and don't even feel like looking at the pictures. However I never got tired of seeing her in the "simple" outfits on the Chicago DVD.
And I think she is wearing too much makeup. I mean look at her face. It looks like a mask in most of the pictures. Unreal like a wax figure. Looks like she has Celine Dion's makeup artists working for her lol. And that false hair (extensions) only contributes to making her look unreal. She is so beautiful and natural looking with few makeup and her real hair. Many recent pictures and videos have proven that. So why all the masquerade? Does she need to hide behind that to feel comfortable on stagae?
I'm not looking forward to her announced tour if it will just be the Vegas show on tour.
She doesn't need all that theatre and glitz because she has a great voice. Other artists need that to cover up their lacking musical talent. Her voice sounds great in the videos from last night, but we all know that it's great.
I miss those days of Shania performing You're Still The One and No One Needs To Know with her guitar and sporting a natural look.
Great post Melanie! I'm sure Shania wanted to "take Vegas to Calgary." It's what she is comfortable with now. I don't think she'll be able to do it in P.E.I. next month though. To me, the show is too elaborate for an outdoor stage. And to be honest it would look so "out of place."
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Tommy's #1 SHANIA TWAIN SuperSite shaniasupersite.com Our eyes are closed, but we're not asleep, We're wide awake beneath the sheets
As much as I hate to agree with what is being said, it is true. I did like that she brought Vegas to the Stampede only because she added the arena effects (fireworks, stage trun, etc) and I love the videos from last night and think she sounds spectacular. Maybe just maybe it is only for these shows. The dancers have been posting all week that these were going to be "Still The One" road shows. So, in that regard I am not surprised.
I do think that PEI will not allow her to do the same (due to it being an outdoor event). However, if she is going to tour she needs to recreate a whole new show. Change the set, add new songs, new costumes, etc... I miss Dallas and Chicago Shania.
I am on Shania in terms of the first review I read. The guy said her lyrics were cookie-cutter. THE FREAKING SHOW IS NOT ABOUT THE LYRICS. The lyrics were written twenty+ years ago for many of these songs, and they did just fine on the road. Her voice again, sounded spectacular (which this guy mentioned). She never can win in terms of critics. She paves her own path and they don't like that; read her book, watch any interview. It's on her terms.
And to conclude, many Calgary employees witnessed the rehearsals and said she did four hours yesterday, in order to make sure everything transitioned smoothly. The fans enjoyed it, and to be honest, I love hearing that many people scream at her entrance.
Whether people like it or not, Shania is finally out of Vegas (somewhat due to the fact it is a Vegas show on the road). I agree Melanie, I love the costumes in Vegas but am kind of sick of them now. Except for the new STO and FTMO dress.
Time will tell how the potential tour will be laid out. Maybe fans could make suggestions during a Twitter chat that they want her to change things up if she goes back out for a full blown tour?
Anyways, those are my thoughts. At least she is singing :)
Oh and Melanie, You might be right about Caesars wanting her to do the same thing outside. She is under contract with them. I still think that Shania would have brought Vegas to Calgary even if it wasn't of any input from Caesars, to give her Canadian fans who couldn't make it to Vegas, a similar experience.
Shania Twain may be on a trajectory much like fellow country star Garth Brooks.
Like Brooks, who was the top male country vocalist of the 90′s, Twain was the top female vocalist in the same period who suddenly took the most part of a decade off.
Like Brooks, she went through a highly publicized divorce, later remarrying a close friend and associate.
Like Brooks, she eased herself back into performing with a multi-year residency in Las Vegas.
An now, like Brooks, she may be ready to reenter the world of recording and touring.
Twain dipped her toe back into the non-Vegas performing pool on Wednesday night with a show at the Scotiabank Saddledome in Calgary, AB as part of the annual Calgary Stampede (she’s back on stage tonight). The show was a near duplicate of the one that she has been doing in Sin City for the last year and a half with just the moving of one song from the main part of the show to the encore.
Shania also appears to be ready to hit the road again as her Vegas residency ends in December. She told the Calgary Herald that her team is “looking at some dates already, probably in the spring. … I guess it’s just something I’m enjoying more now than I have in a long time. Vegas has been a really good transition for me to get back onstage again, and I guess I’m enjoying it. So why not do more?”
She also says that she wants to finally get back in the studio, something that has not been possible for a number of years due to dysphonia, a condition of the vocal chords that she has overcome with care and therapy.
If and when a new album is released, it will only be the fifth of her twenty-one year career. Those four albums, plus a Greatest Hits disc, have sold 48 million copies according to the RIAA, tying her for 25th on the all-time sales list ahead of such huge acts as Journey, Guns N’ Roses, Santana, Eric Clapton and Prince.
Wednesday night’s set list:
Main Set I’m Gonna Getcha Good! (from Up!, 2002) You Win My Love (from The Woman in Me, 1995) Don’t Be Stupid (You Know I Love You) (from Come on Over, 1997) Up! (from Up!, 2002) I Ain’t No Quitter (from Greatest Hits, 2004) No One Needs to Know (from The Woman in Me, 1995) Whose Bed Have Your Boots Been Under? (from The Woman in Me, 1995) Any Man of Mine (from The Woman in Me, 1995) That Don’t Impress Me Much (from Come on Over, 1997) Honey, I’m Home (from Come on Over, 1997) (If You’re Not in It for Love) I’m Outta Here! (from The Woman in Me, 1995) Carrie Anne (Hollies cover) Come on Over (from Come on Over, 1997) Today Is Your Day (single, 2011) You’re Still the One (from Come on Over, 1997) From This Moment On (from Come on Over, 1997) Encore Man! I Feel Like a Woman! (from Come on Over, 1997) Rock This Country! (from Come on Over, 1997)
Shania Twain may be on a trajectory much like fellow country star Garth Brooks.
Like Brooks, who was the top male country vocalist of the 90′s, Twain was the top female vocalist in the same period who suddenly took the most part of a decade off.
Like Brooks, she went through a highly publicized divorce, later remarrying a close friend and associate.
Like Brooks, she eased herself back into performing with a multi-year residency in Las Vegas.
An now, like Brooks, she may be ready to reenter the world of recording and touring.
Twain dipped her toe back into the non-Vegas performing pool on Wednesday night with a show at the Scotiabank Saddledome in Calgary, AB as part of the annual Calgary Stampede (she’s back on stage tonight). The show was a near duplicate of the one that she has been doing in Sin City for the last year and a half with just the moving of one song from the main part of the show to the encore.
Shania also appears to be ready to hit the road again as her Vegas residency ends in December. She told the Calgary Herald that her team is “looking at some dates already, probably in the spring. … I guess it’s just something I’m enjoying more now than I have in a long time. Vegas has been a really good transition for me to get back onstage again, and I guess I’m enjoying it. So why not do more?”
She also says that she wants to finally get back in the studio, something that has not been possible for a number of years due to dysphonia, a condition of the vocal chords that she has overcome with care and therapy.
If and when a new album is released, it will only be the fifth of her twenty-one year career. Those four albums, plus a Greatest Hits disc, have sold 48 million copies according to the RIAA, tying her for 25th on the all-time sales list ahead of such huge acts as Journey, Guns N’ Roses, Santana, Eric Clapton and Prince.
Wednesday night’s set list:
Main Set I’m Gonna Getcha Good! (from Up!, 2002) You Win My Love (from The Woman in Me, 1995) Don’t Be Stupid (You Know I Love You) (from Come on Over, 1997) Up! (from Up!, 2002) I Ain’t No Quitter (from Greatest Hits, 2004) No One Needs to Know (from The Woman in Me, 1995) Whose Bed Have Your Boots Been Under? (from The Woman in Me, 1995) Any Man of Mine (from The Woman in Me, 1995) That Don’t Impress Me Much (from Come on Over, 1997) Honey, I’m Home (from Come on Over, 1997) (If You’re Not in It for Love) I’m Outta Here! (from The Woman in Me, 1995) Carrie Anne (Hollies cover) Come on Over (from Come on Over, 1997) Today Is Your Day (single, 2011) You’re Still the One (from Come on Over, 1997) From This Moment On (from Come on Over, 1997) Encore Man! I Feel Like a Woman! (from Come on Over, 1997) Rock This Country! (from Come on Over, 1997)
Tommy and Cody, what makes you so sure that she won't be able to do the same theatrical show in Charlottetown? Yes, it's an outdoor event but look up on Youtube what spectacles other stars bring to outdoor stages in parks. It's just a matter of money and Shania certainly has the money. Or is there already a stage Shania has to use and thus won't be able to build up her own stage? I sure hope she won't take Vegas to PEI, but it seems everything is possible. We will see.
Shania Twain flashes knickers in totally sheer bodysuit as she takes short break from Las Vegas
By Rebecca Pocklington | July 10, 2014 | The Mirror - UK
The 48-year-old proved she's as sexy as ever as she took to the stage at the Calgary Stampede this week.
Glitzy and fabulous
It takes a lot of confidence to slip your body into a full and completely sheer bodysuit for a performance in front of a VERY large crowd - but Shania Twain does NOT lack confidence.
And it's a good job, because the 48-year-old star has just shown how to really dazzle.
Taking a short break from her popular Las Vegas residency, the star performed at the Calgary Stampede in Canada this week in one of her raciest outfits to date.
And there's a fair bit of competition for that title.
Showing off her incredible body and winning curves, the brunette beauty danced, sang and twerked her way across the stage in a glitzy and sheer black bodysuit (slash second skin).
It was so sheer in fact, we could clearly see her black knickers underneath.
According to local reports, she welcomed her fans and said: “It feels so good to not only be back in Calgary, but to be back on the live concert stage after nearly ten years. We’re going to have a good old Canadian time tonight!”
Shania Twain performs at the Scotiabank Saddledome
She told ET Canada: "I don't think [pop stars are] too sexy now ... The boundaries are really up to the individual and then it's up to the viewer whether they like it or not."
She's just proven her own point.
Shania was criticised early in her career for showing off her stomach in a music video before it was accepted, but she insisted she wasn't doing it to get any kind of attention.
She explained: "I'm very comfortable with myself. I'm not bearing my midriff for effect or for shock factor ... I'm just doing it because I like my midriff."
I saw the show last night. Spatular !!!!! the whole show was full of energy a lot of fun Shania sounded like an angle. Loved every min of it. She did bring vegas to Calgary with some minor changes l nothing major. instead of motor bike she comes in on horse after Get Cha good open flame fire. Fire works . doesn't enter her western part on a horse and just uses her dancer's during still the one. last song was rock this Country,
I got to meet my idol once again sadly no pic but I did get to give her a high five. The only thing I did wish she sing Forever and For always . OTher then that Best show of the summer.
I am so proud of her she sure has come along way :)
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I love Shania more then anything she is my number 1 idol Im a proud Twainaic.
Shania made my dream come true in Vegas on June and will be seeing her again in July
I saw the show last night. Spatular !!!!! the whole show was full of energy a lot of fun Shania sounded like an angle. Loved every min of it. She did bring vegas to Calgary with some minor changes l nothing major. instead of motor bike she comes in on horse after Get Cha good open flame fire. Fire works . doesn't enter her western part on a horse and just uses her dancer's during still the one. last song was rock this Country,
I got to meet my idol once again sadly no pic but I did get to give her a high five. The only thing I did wish she sing Forever and For always . OTher then that Best show of the summer.
I am so proud of her she sure has come along way :)
Glad you had a great time and got to high-five Shania!
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Tommy's #1 SHANIA TWAIN SuperSite shaniasupersite.com Our eyes are closed, but we're not asleep, We're wide awake beneath the sheets
International superstar, Shania Twain, returned to Canada this past Wednesday and Thursday night (July 9-10) and thrilled fans with two incredible sold-out shows during the Calgary Stampede. It has been ten years since the star has performed live in Canada. Each night 14,000 people packed the Scotiabank Saddledome to see Twain’s high-energy performance, which showcased many of the icon’s greatest hits.
“In our ten years of Saddledome concerts during the Calgary Stampede, Shania is the first artist to sell-out two back-to-back shows,” says Adam Oppenheim, Managing director, Stampede Concerts Inc. “The Calgary Stampede and Stampede Concerts Inc. are ecstatic about Shania’s two performances, and the fan’s enthusiasm speaks for itself.”
“We are honored to have such a tremendous icon mark ten years of the Calgary Stampede Saddledome Concert Series,” Adds Amy Bryan, Director of Talent Buying, REACH LLC.
Following her Calgary performances, Twain will return to the Las Vegas stage for her critically-acclaimed residency show, SHANIA: STILL THE ONE at The Colosseum at Caesars Palace on Saturday, July 12, 2014. For a full list of her July Vegas dates click HERE.
Shania had plenty of time to pull together a few new stage costumes for the Calgary shows. A stampede/cowboy theme would have been nice. She could have made some effort to make it different from the Vegas shows.
I am a Shania-with-Mutt fan. The very little she's produced without Mutt has not impressed me much. But Fred is pretty hot ;)
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First live Canadian shows in a decade sell out, as superstar plots her big comeback
By Beville Dunkerley | July 11, 2014 4:47 PM ET
The proof is in the numbers: if she builds it, they will come.
Performing live in her home country for the first time in a decade, Shania Twain sold out both Wednesday and Thursday nights' shows at the Scotiabank Saddledome in Calgary, Alberta, Canada, as part of the annual Calgary Stampede. She is the first artist in the venue's history to sell out back-to-back shows.
Clad in a Royal Canadian Mounted Police uniform (one of many costume changes), the country music superstar arrived on horseback to play for 14,000 fans each night. According to the Calgary Sun, her high-energy set included beloved hits such as "Man! I Feel Like a Woman," "You're Still the One," "Any Man of Mine" and "That Don't Impress Me Much," backed by a 13-piece band.
The pair of Calgary shows only made for a quick break from Twain's Las Vegas residency, now in its final few weeks. Shania: Still the One runs through July 26 at Caesars Palace.
Even though she hasn't released a new set of tunes since 2002's Up, Twain still reins as the biggest-selling female country artist of all time, with more than 75 million albums sold. She told Rolling Stone last summer that her next album was almost done, but she was having trouble finding the right producer. And given the long stretch of time between albums, the pressure is on.
"I want it to be perfect," she said, "and I want it to be something that I really enjoy and a product of my inspiration —not a product of necessarily anything I've done before or anyone I've been before in regards to making records, because it's been a long time. I'm different, I've evolved and I want that to be reflected in the music."
Yesterday, I saw on Twitter that someone posted Shania added "Love Gets Me Every Time" to the campfire set. Well you can't always believe everything you read, so I wasn't sure if it was true. There is now proof on Instagram: instagram.com/p/qXUTVOh9jl/
Yesterday, I saw on Twitter that someone posted Shania added "Love Gets Me Every Time" to the campfire set. Well you can't always believe everything you read, so I wasn't sure if it was true. There is now proof on Instagram: instagram.com/p/qXUTVOh9jl/
Here's the whole performance of Love Gets Me Every Time plus Come On Over:
Yesterday, I saw on Twitter that someone posted Shania added "Love Gets Me Every Time" to the campfire set. Well you can't always believe everything you read, so I wasn't sure if it was true. There is now proof on Instagram: instagram.com/p/qXUTVOh9jl/
Here's the whole performance of Love Gets Me Every Time plus Come On Over:
Thank you Melanie. Great find! Love that song, and it does not receive enough attention in any live show really. After the COO era, it was cut off from the world really. I mean it was the COO album lead single, any lead single (unless it completely bombs, which it didn't) should, in my opinion, receive attention. I get that it isn't a massively successful song, but I would choose LGMET over I Ain't No Quitter and Come On Over. That's just my opinion though.
As for your post about PEI Melaine, after thinking about it some, it could work. I think there is already a stage there at PEI, but there was already a stage at Caesars too and she did just fine. Even though, it is an outdoor event, I have seen numerous artists (Keith Urban, Madonna, Rascal Flatts, Taylor Swift) bring the complex theatrics of their concerts to outdoor venues.
For me, I would like to see something else, even if it has the theatrics of a Vegas show. (I don't know if that made sense). What I mean is, it could still be flashy and entertaining, with the feel of Vegas without it being a down-scaled version of her current residency. From what I saw of the Calgary shows, the Vegas sets worked well. I don't think it was over the top. It is just like what people are putting on these days (minus the dancers, maybe) but the fans didn't seem to mind. For future shows, she could combine sitting on a stool, playing guitar, with a flashy show on the road.
And, in all the interviews where she said she couldn't see bringing such a big Vegas production on the road. Well, she did. It worked, but overall would be nice to see new elements. I doubt that she would continue the same sets, song list on a new tour. At least I hope not, but it truly wouldn't stop me from going to see her on the road if it was the same.
Sadly I can only agree on that "Shania has to learn to leave Las Vegas" review. I'm a little disappointed because I was hoping she would do a more simple concert like in the good old days. I haven't attended the concert but I can tell from the pictures and videos that the critic is totally right.
It's just a costume party again. Don't get me wrong, I liked that kind of show in Vegas because it just fits to the Vegas atmosphere and the beautiful Colosseum and I thought Shania created a theatrically show like that to fit into that Vegas atmosphere.
I didn't expect her to take this type of concert into arenas.
Do you guys think it was her idea/choice to do it like that or do you think Caesars Palace wanted it to be similar to the Vegas shows for promotional reasons?
I was excited because she said it will be much different from the Vegas shows and more like a rock concert. What did she mean by that? To me it looks absolutely the same except for the smaller stage, a few different stage effects and one different dress.
The same and already boring setlist she's been playing for almost two years now. Nothing new. If she wouldn't change her outfit every ten minutes she could at least perform two more songs.
The same outfits. I have to admit I'm already tired of seeing her in these outfits and don't even feel like looking at the pictures. However I never got tired of seeing her in the "simple" outfits on the Chicago DVD.
And I think she is wearing too much makeup. I mean look at her face. It looks like a mask in most of the pictures. Unreal like a wax figure. Looks like she has Celine Dion's makeup artists working for her lol. And that false hair (extensions) only contributes to making her look unreal. She is so beautiful and natural looking with few makeup and her real hair. Many recent pictures and videos have proven that. So why all the masquerade? Does she need to hide behind that to feel comfortable on stagae?
I'm not looking forward to her announced tour if it will just be the Vegas show on tour.
She doesn't need all that theatre and glitz because she has a great voice. Other artists need that to cover up their lacking musical talent. Her voice sounds great in the videos from last night, but we all know that it's great.
I miss those days of Shania performing You're Still The One and No One Needs To Know with her guitar and sporting a natural look.
Perfectly stated.
I know that we have our profound differences and I have been harsh and critical of Shania. But one thing you will never hear my criticize is Shania the tour artist from her COO and Up! touring days. That is why I was SO looking forward to these two stampede shows--finally I was going to see the Shania of old. I went to at least 7 of her concerts back in the day. She was hands down the perfect performer back then. From her onstage makeup to her clothes to her singing to her wonderful and laid back stage presence. This whole Vegas routine is not my cup of tea, especially when she brings it on the road. She is a natural performer. Great with her fans. She doesn't need to be Celine Dion or Madonna with silly stage costumes and boy toy dancers and excessive stage makeup.
Such a perfect way to sum up how I feel. They were magic together. Perhaps that is it. They were just magic together. A once in a lifetime pairing that cannot be repeated unless they are together making music. Her talent and his talent equaled perfection. Without one, the other does not exist.
The nostalgia of Shania and Mutt is bittersweet because of all that transpired between them. The past, for better or worse does not repeat itself. Until Shania releases an album on her own, she'll always be in the shadow of Mutt, both personally and professionally. That's the most pitiful part about this new phase in her life and career. A very long time ago Shania stated that if she lost Mutt that it would be like losing an arm. At the time I didn't possibly think that she was serious; maybe it was hyperbole. Time proved me wrong. There are no winners in this story.
I can now understand why there are some artists who are reluctant to form serious and long-lasting relationships. If that partnership forms a new part of your career, when that relationship ends that might be the end of you in every way. I hate to sound pessimistic, but it happens. Some of us are not as strong as we appear to be.
The nostalgia of Shania and Mutt is bittersweet because of all that transpired between them. The past, for better or worse does not repeat itself. Until Shania releases an album on her own, she'll always be in the shadow of Mutt, both personally and professionally. That's the most pitiful part about this new phase in her life and career. A very long time ago Shania stated that if she lost Mutt that it would be like losing an arm. At the time I didn't possibly think that she was serious; maybe it was hyperbole. Time proved me wrong. There are no winners in this story.
I can now understand why there are some artists who are reluctant to form serious and long-lasting relationships. If that partnership forms a new part of your career, when that relationship ends that might be the end of you in every way. I hate to sound pessimistic, but it happens. Some of us are not as strong as we appear to be.
As I read this, I heard "The Woman In Me" playing in the background. I wish she still was with Mutt for the professional purpose of making music. Sure, critics and even some fans may say that Mutt is the only reason for her fame. But, like Butters said, they were magic, there is no doubt about that. I love that Shania is performing now, and I can respect her decision to take time off to be a mom, but when it comes to recording I don't know that there is another match even similar to Mutt. What do you guys think. I haven't explored much in the rock producer department to see what would be fitting if she did choose another rock producer. I have thought Dann Huff would be fitting since he does do crossover stuff (mainly country pop only). He has also played on The Woman In Me and Come On Over.